Paci Contemporary S.r.l, Brescia, Italy. Sandy Skoglund: The Unpublished Works March 7-May 26, 2015.


Ooh Gallery San Fermo Maggiore, Verona, Italy. Sandy Skoglund Unusually Familiar, March 8-June 8, 2014. Curated by Valeria Nicolis.


Fay Gold Gallery at Westside Cultural Arts Center, Atlanta, Georgia. Solo exhibition photographs, June 27, 2013-August 30, 2013.


Rule Gallery, Denver, Colorado. Eyeflakes and The Invented World. Survey of early photographs and works in progress. Sculpture and photography. Reviewed Artforum Magazine April 2012 page 218.

Paci Contemporary, Brescia, Italy. Winter: work in progress.  March 30, 2012- June 5, 2012.


McNay Museum of Art, San Antonio, Texas.  Acquisition and collection installation of The Cocktail Party. Multi-media installation on view November-December 2011.


WNET, American Public television series segment titled Dreams and Visions, interview by Arash Hoda in studio with Sandy Skoglund discussing creative process. Broadcast date to be announced Fall 2010.

LDPF: Lucca Digital Photography Festival, November 2010. Lifetime achievement in photography award. The Power of the Imagination: Exhibition of photography and installation. Nov. 26-27, 2010.

Fotografiska Museum, Stockholm, Sweden. The Artificial Mirror, survey of work by Sandy Skoglund Sept.-      November 2010

Mjellby Museum, Halmstad, Sweden. Sandy Skoglund Survey of photographs. June-September 2010.

Lowe Art Museum, Miami, Florida. Permanent acquisition and installation of Breathing Glass.


Palazzo Giovanelli, Venice, Italy. The Artificial Mirror: Sandy Skoglund Survey of work since 1974. Catalogue/book published by Contrasto. June-October 2009.

Centro di Ricerca e Archiviazione della Fotografia (CRAF) Center and Archive of Photography, Regione Fruili Venezia Giulia, 22nd festival of Photography, Milan, Italy. July-August 2009.


Galleria Paciarte Arte Contemporanea, Brescia, Italy. Sandy Skoglund: Magic Time.

October 25 - December 10, 2008. Solo exhibition with catalog, survey of photographs 1978-2008.

Betta Frigieri Arte Contemporanea, Modena, Italy. Sandy Skoglund: True Fiction Two,

courtesy B&D Gallery, Milan. Curated by Luca Panero. Sept. 19 - Nov. 1, 2008

Denver Art Museum, Liebeskind building. Fox Games installation installed for public view indefinitely.


Gallery Kong, Seoul, Korea. December 2007. Solo exhibition, survey of photographs 1978- 2007.

Weatherhead Gallery, U. of Saint Francis, Fort Wayne, Indiana. Solo exhibition w/ installation Breathing Glass.


Galerie Rabouan Moussion, Paris, France. Oct. 27- Dec. 31, 2005.

Guy Bartschi Gallery, Geneva, Switzerland, Mar.17-May 14, 2005.

Fay Gold Gallery, Atlanta, Georgia, May-July 2005.

New Jersey Center for the Visual Arts, Summit, New Jersey: Sandy Skoglund, installations Raining Popcorn and Breathing Glass, inaugural exhibition in renovated galleries, catalogue with text by April Kingsley.


The New York Hall of Science, The Tree of Trees, permanent commissioned installation, open to the public October 2004 within context of major architectural expansion.

Rockford College, Rockford, Illinois, Uncommon Lives , workshop installation and photographs.

Copia, The American Center for Wine, Food and the Arts, Napa, California. Enchanting the Real,

solo exhibit w/ installation Picnic On Wine ; curated with essay by Sarah Tanguy. Jan. 30- April 12, 2004.

Museum of Glass, International Center for Contemporary Art, Tacoma, Washington. Breathing Glass and Raining Popcorn, installations Jan. 24 – April 18, 2004.


Palm Springs Desert Museum, Palm Springs, Calif. Breathing Glass installation Oct. 3, 2003 - Jan. 4, 2004.

Center for Visual Art, Denver, Colo. Breathing Glass, installation. March 14 - May 3, 2003.


Rule Gallery, Denver, Colorado. Solo exhibition of photographs, Sept. 6 – Nov. 2, 2002.

Dayton Art Institute, Dayton, Ohio. Shimmering Madness, installation purchase for permanent collection.

B & D Gallery, Milan, Italy. Walking On Eggshells, installation. March 22-May 25, 2002. Installation of Walking On Eggshells purchased by Fondazione la Gaia, Milan, Italy, permanent collection.

Johnson Museum of Art, Cornell University, Ithaca, New York, Raining Popcorn installation, Apr. 6-Aug. 11, 2002.

Hunter Museum, Chattanooga, Tenn., Breathing Glass installation, Dec. 2, 2002 – Feb. 28, 2003.

Memorial Art Gallery, Rochester, N.Y., Breathing Glass installation, Feb. 16, 2002 – April 21, 2002.


Janet Borden Gallery, Inc., N.Y., N.Y., Oct. 17-Nov. 24, 2001, Raining Popcorn installation

Faulconer Gallery of Grinnell College, Grinnell, Iowa. Raining Popcorn installation and photograph commissioned by the Faulconer Gallery of Grinnell College, Grinnell, Iowa.

Smith College Museum of Art, Northampton, Mass., Liquid Origins, Fluid Dreams: bathroom interior. Permanent installation with ceramic tiles and fixtures done in collaboration with the Kohler Art Center and Kohler Company, Sheboygan, Wisconsin.

Savannah College of Art and Design, Savannah, Georgia. Contemporary Masters Series. Shimmering Madness installation and photographs Bergen Hall Gallery, January 20-March 17, 2001.


Museum of Contemporary Arts and Design, New York, N.Y., Breathing Glass installation and photograph commissioned by the Museum of Contemporary Arts and Design. Scheduled to travel

throughout the United States until 2005. At Museum of Contemporary Arts and Design: May 31- September 3, 2000.

Fay Gold Gallery, Atlanta, Georgia. Breathing Glass installation, Oct. 5 – Dec. 2, 2000

Guy Bartschi Gallery, Geneva, Switzerland. Solo Exhibition of photographs with catalogue. Essay by Philippe Piguet. March 2- May 12, 2000.

Museo d’arte della Provincia di Nuoro, Sardinia, Italy. Solo exhibition of photographs with catalogue. Essay and curated by Maurizio Sciaccaluga. July 27- Sept. 10, 2000.

Norton Museum, West Palm Beach, Florida, Solo Exhibition,  installations of The Cocktail Party, Walking on Eggshells, and Shimmering Madness. Plus photographic survey.  April 1- June 11, 2000.

Indiana State University Art Gallery, Terre Haute, Indiana, survey of photographs, January 13- February 3, 2000.


Elaine J. Jacob Gallery, Wayne State University, Detroit, Michigan, Misbehaving: Works from the Studio of Sandy Skoglund, photographs and sculpture, December 2- February 4, 1999.

Kendall College Art Gallery, Grand Rapids, Michigan, Selected Works, survey of photographs, Oct. 18- Nov. 24, 1999.

The Joslyn Art Museum, Omaha, Nebraska, Reality Under Siege, September 3- October 24, 1999.

Toledo Museum of Art, Toledo, Ohio, Reality Under Siege, February 14- May 2, 1999

The Liberty Museum, Philadelphia, Pennsylvania, Shimmering Madness permanent installation, installed July 1999.

Fay Gold Gallery, Atlanta, Georgia, Shimmering Madness installation. Also photographs and sculpture. March 9- May 15, 1999.

Janet Borden, Inc., New York, New York, Shimmering Madness installation, January- February 12, 1999.


Columbia Museum of Art, Columbia, South Carolina. Reality Under Siege.  October 12, 1998- January 3, 1999.

Rutgers University Robeson Gallery, Newark, New Jersey. Shimmering Madness  installation, Oct. 8- Nov. 25, 1999.

Smith College Museum of Art, Northampton, Mass., Reality Under Siege, solo retrospective consisting of four installations and selected photographs scheduled to travel through 2000.  Includes installations of The Cocktail Party, Revenge of the Goldfish, Fox Games  and Walking on Eggshells. Walking On Eggshells premiere of installation at the Smith College Museum of Art. Catalogue/book with essays by Muehlig, Rosenblum, Sievers and Squiers, published by Harry N. Abrams, Inc.  March 12- May 24, 1999.


Huntington Museum of Art, Huntington, West Virginia. The Green House installation, Also:photographs and sculpture from In the Last Hour, Sept. 9-Oct. 29, 1995.

Ehlers Caudill Gallery, Ltd., Chicago, Illinois. The Subject of Food, Apr. 21-May 27, 1995.

Scottsdale Center for the Arts, Scottsdale, Arizona. The Cocktail Party installation, Also: photographs and sculpture from In the Last Hour, June 2-Aug. 20, 1995.

Museum of South Texas, Corpus Christi, Texas. Photographs and sculpture from In the Last Hour, Mar.-Apr. 1995.

Museumsverein Arolsen, Arolsen, Germany. Sandy Skoglund, retrospective of photographs, Feb.-Mar. 1995.

Galeria Spectrum, Zaragoza, Spain. Photographs, Feb. 24-Mar.22, 1995.


Lakeview Museum, Peoria, Illinois. The Green House installation, Also: photographs and sculpture from In the Last Hour, Dec. 5, 1994-Jan. 29, 1995.    

Janet Borden, Inc., N.Y., N.Y., The Wedding installation, Sept. 10-Oct. 22, 1994.

The Amarillo Art Museum, Amarillo, Texas. Photographs and sculpture from In the Last Hour,,Sept. 10-Nov. 6, 1994.

Allene Lapides Gallery, Santa Fe, New Mexico. The Cocktail Party installation, Apr. 15-Aug. 31, 1994.

Tarasona Photo Festival, Veruela Monastery, Tarasona, Spain. Photographs, July-Sept. 1994.

Columbus Museum of Art, Columbus, Ohio. The Wedding, an installation premiere by the Columbus Museum of Art, Also: photographs and sculpture from In the Last Hour,  Mar. 20-June 12, 1994.

Ulrich Museum, Wichita State University, Wichita, Kansas. The Cocktail Party installation, Also: photographs and sculpture from In the Last Hour, Jan. 21-Mar. 6, 1994.


Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania. The Cocktail Party installation, Nov. 8-Dec. 3, 1993.

The Morris Museum, Morristown, New Jersey. Photographs and sculpture from In the Last Hour, Oct. 3-Nov. 21, 1993.

Museum of Contemporary Art (CAPC), Bordeaux, France. Pour la Vie,  Sept. 24-Oct. 24, 1993.

James Madison University, Harrisonburg, Virginia. A Breeze At Work installation, Sept. 25-Oct. 25, 1993.

Yvonamour Palix Espace d'Art, Paris, France. In the Last Hour,  Sept. 16-Nov. 6, 1993.

Salama-Caro Gallery, London, England. Photographs, Sept. 14-Oct. 14, 1993.

Allene Lapides Gallery, Santa Fe, New Mexico. Photographs and Sculpture, Aug. 27-Oct. 2, 1993.

Southeastern Center for Contemporary Art, Winston-Salem, North Carolina. A Breeze At Work installation, July 23-Sept. 19, 1993.

Madison Art Center, Madison, Wisconsin. The Green House installation, June 26-Aug. 22, 1993.

Bernard Toale Gallery, Boston, Mass.The Cocktail Party installation and Body Limits installation, April 16-May 1, 1993.

Blue Star Artspace, San Antonio, Texas. A Breeze At Work installation and Gathering Paradise installation. Also: photographs and sculpture from In the Last Hour, Feb. 12-Apr. 14, 1993.

University of North Texas, Denton, Texas. The Green House installation, Feb. 8-Mar. 13, 1993.

Diverse Works, Houston, Texas. The Green House installation, Dec. 12, 1992-Jan. 16, 1993.


Janet Borden, Inc., N.Y., N.Y. Three installations: Atomic Love, Body Limits, The Cocktail Party, Oct. 1-Oct. 31, 1992.

Fred Jones, Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma. In the Last Hour: Sandy Skoglund:Photo/Sculpture, catalogue published by the University of Oklahoma Press with texts by Arlene Raven and Gloria Picazo. This exhibit traveled to venues listed above through 1995. Also: The Green House installation, Sept. 27-Nov. 8, 1992.

Aspen Art Museum, Aspen, Colorado. The Green House installation, June 25-Sept. 7, 1992.

Galerie zur Stockeregg, Zurich, Switzerland. Art Basel 23’92 mit Sandy Skoglund, June 17-June 22, 1992.

L’Espace Photographique de la Ville de Paris, Paris, France. Radioactive Cats installation and retrospective of       photographs, June 10-Aug. 2, 1992. Catalogue.

Janet Borden, Inc., N.Y., N.Y. Food Still Life Series, May 15-June 19, 1992.

Fundacio “la Caixa”, Sala Catalunya, Barcelona, Spain. Radioactive Cats installation and retrospective of photographs, Apr. 28-May 31, 1992. Catalogue with essay by Gloria Picazo.

The Lowe Art Museum, Coral Gables, Florida. The Green House installation, Apr. 9-May 24, 1992.

Gallery K, Washington, D.C. Photographs, Mar. 17-Apr. 11, 1992.

Fotoforum, Bremen, Germany. Radioactive Cats installation and retrospective of photographs, Feb.-Mar. 1992.

The Tampa Museum of Art, Tampa, Florida. The Green House installation, Jan. 19-Mar. 2, 1992.

Fotografie Forum Frankfurt, Frankfurt, Germany. Radioactive Cats installation and retrospective of photographs, Jan.-Feb. 1992.


Hartford Art School, Harry Jack Gray Center, West Hartford, Connecticut. Gathering Paradise  installation, Nov. 31, 1991-Jan. 10, 1992.

Kyle Roberts Gallery, San Francisco, California. Photographs, Sept. 2-Nov. 2, 1991.

Nikon Galerie, Zurich, Switzerland. Radioactive Cats installation and retrospective of photographs, Oct.-Nov., 1991.

Memphis Brooks Museum, Memphis, Tenn. The Green House installation, Sept. 13, 1991-Jan. 5, 1992.

P.P.O.W. Gallery, N.Y., N.Y. Gathering Paradise installation, Sept. 5-Sept. 28, 1991.

Staatsgalerie, Erlangen, Germany. Radioactive Cats installation and retrospective of photographs, Aug. 1-Sept. 5, 1991.

The Morgan Gallery, Kansas City, Missouri. The Green House installation, June 21-Aug. 31, 1991.

Ehlers Caudill Gallery, Chicago, Illinois. Photographs, April 1991.

Carl Solway Gallery, Cincinnati, Ohio. Gathering Paradise installation, June 7-July 31, 1991.

Fay Gold Gallery, Atlanta, Georgia. The Green House installation, Feb. 8-Mar. 6, 1991.


Temple Gallery, Tyler School of Art, Philadelphia, Penn. The Green House installation, Nov. 16-Jan. 26, 1991.

Janet Borden, Inc., N.Y., N.Y. The Green House installation, Sept. 4-Sept. 29, 1990.

Parco Gallery, Tokyo, Japan. Radioactive Cats installation and retrospective of photographs, Aug. 3-22, 1990.

The Denver Art Museum, Denver, Colorado. Fox Games installation, June 2-Aug. 5, 1990.

George Eastman House, International Museum of Photography, Rochester, N.Y., True Fiction portfolio and Fox Games photograph, June 2-Aug. 5, 1990.

G.H. Dalsheimer Gallery, Baltimore, Maryland. The Green House installation, Apr. 28-June 16, 1990.


Stephen Wirtz Gallery, San Francisco, California. Bronze Sculpture: A Breeze at Work and Photographs: 1980-1988, Feb. 28-Apr. 1, 1989.

Gallerie Urbi et Orbi, Paris, France. Oct. 14-Nov. 20, 1989.


Hollins College, Roanoke, Virginia. Oct. 16-Nov. 11, 1988.

Damon Brandt Gallery, N.Y., N.Y. A Breeze At Work installation, Sept. 10-Oct. 1, 1988.

Lorence-Monk Gallery, N.Y., N.Y. Installation with still life sculptures, Sept. 17-Oct. 15, 1988.


Real Art Ways, Hartford, Connecticut. True Fiction, Oct. 16-Nov. 7, 1987.

Fay Gold Gallery, Atlanta, Georgia. Oct. 9-Nov. 4, 1987.

Fahey/Klein Gallery, Los Angeles, California. Photographs, Aug. 11-Sept. 12, 1987.

Sharpe Gallery, N.Y., N.Y. Neo Auto installation, Jan. 11-Feb. 8, 1987.

Castelli Uptown Gallery, N.Y., N.Y. True Fiction, Jan. 9-Jan. 31, 1987.


Galerie Watari, Tokyo, Japan. Apr. 13-May 4, 1984.


Leo Castelli, N.Y., N.Y. Maybe Babies installation, Mar. 5-26, 1983.

Greenberg Gallery, St. Louis, Missouri. Maybe Babies installation.


Minneapolis Institute of Art, Minneapolis, Minnesota. Revenge of the Goldfish and Radioactive Cats installations.

Wadsworth Atheneum, Hartford, Connecticut. Revenge of the Goldfish installation, part of the

Matrix Series curated by Andrea Miller-Keller.


Castelli Graphics, N.Y., N.Y. Revenge of the Goldfish installation, Jan. 6-31, 1981.

Addison Gallery of American Art, Andover, Massachusetts. Radioactive Cats installation.

Fort Worth Art Museum, Fort Worth, Texas. Revenge of the Goldfish installation, part of Focus series curated by Susan Freudenheim; Sept. 18-Oct. 18, 1981.

Greenberg Gallery, St. Louis, Missouri. Revenge of the Goldfish installation.


Real Art Ways, Hartford, Connecticut. Radioactive Cats installation.


University of Connecticut, Torrington, Connecticut.


Joseloff Gallery, Hartford Art School, Hartford, Connecticut










Camera Atomica, The Art Gallery of Ontario, Toronto, Canada. Curated by John O’Brian. summer 2015.


An Artificial Wilderness: The Landscape in Contemporary Photography, The Wadsworth Atheneum, Hartford, Ct., curated by Patricia Hickson. Sept. 4, 2013- Jan. 5, 2014.

Color:American Photography Transformed, Amon Carter Museum of American Art, Fort Worth, Texas, Oct. 5,2013-Jan. 5, 2014 and then traveled to the Dixon Gallery and Gardens, Memphis, Tenn., Jan. 19-March 23, 2014. Curated by JOHN ROHRBACH with catalogue.

Our Collective Invention: Selections from the Collection of the Morgan Library, The Morgan Library, N.Y., N.Y. Curated by Joel Smith, photography collections curator of the Morgan Library, New York City.

Into The Future: Commemorating the Museum’s 75th Anniversary, Palm Springs Art Museum, Palm Springs, Calif., with catalogue essays. Jan. 25- May 25, 2014.

The Texas Contemporary, Houston, Texas. September 4-7, 2014.


Choses vues: l’objet dans la collection photographic du MAMCS presented at the Museum of Modern and Contemporary Art of Strasbourg, France, Oct. 15, 2013- Feb. 2, 2014.

Collection Selections from the McNay Museum, The McNay Museum of Art, San Antonio, Texas. curated by Rene Barrilleaux. Installation fragment of The Cocktail Party on view. Sept.-Oct. 2013

Mullsjo International Photo Festival, Mullsjo, Sweden. The Artificial Mirror, lecture and exhibition, June 3-8, 2013

Re-Imagine, Re-Invent: Photographers Redefining Reality, Holden Luntz Gallery, Palm Beach, Florida. Jan 18, 2013-Feb 16, 2013.


Eye Wonder: Photographs from the Collection of the Bank of Americn, The National Museum of Women In The Arts, Washington, D.C.,               curated by Katherine A. Wat. Feb. 18-May 22,1011.

Four Photographers, Mary Ryan Gallery, NY, NY. June 23-Aug 24, 2011.


Wedded Perfection: Two Centuries, Cincinnati Art Museum, catalogue by Cynthia Amneus. Oct. 9, 2010- Jan. 30, 2011.


Love, frammenti visivi di un discorso amoroso. Palazzo Ducale Pavullo nel Frignano, Italy. July 6 - Sept. 14, 2008.

Americana. Chiesa di San Lorenzo, San Vito al Tagliamento, Italy. June 29 - Sept. 28, 2008.

Wedded Bliss, the Marriage of Art and Ceremony. The Peabody Essex Museum, Salem, Mass. June - Sept. 2008.

Unveiled: Recent Acquisitions from the Museum's Collection. The Judith Bear Isroff Gallery at

The Akron Art Museum, Akron, Ohio. Aug. 30, 2008 - Nov. 30, 2008.

Body/Image, Contemporary Figurative Art in the Grinnell College Art Collection. The Faulconer Gallery of Grinnell College,      Grinnell, Iowa. Nov. 14, 2008 - Dec. 14, 2008.


C Photo in New York. Phillips de Pury Exhibition Gallery, NYC,  Sept. 19- 26, 2007.


Viaggio Nella Fotografia Contemporanea, Voyage Through Contemporary Photography.

Galleria Paciarte, Brescia, Italy. Dec. 16, 2006 - Jan. 31, 2007


Collection 2,   Fondation Pour l’Art Contemporain Claudine at Jean-Marc Salomon, Chateau Arenthon, Alex, France, March 17-June 3, 2005.


Undomesticated Interiors, Smith College Museum of Art, Oct. 31, 2003-Jan. 4, 2003

Reprotech, at the New York Academy of Sciences, N.Y.C. April 8- June 18, 2004. curated by Suzanne Anker, reviewed in New York Times, Arts and Ideas May 8, 2004.


Sweet Tooth. At COPIA: The American Center for Food, Wine, and the Arts, Napa, Caligornia, Curated by Sarah Tanguy , Jan. 30 – May 11, 2003.

From Start to Finish. At the Katonah Museum of Art, Katonah, New York. Curated by Sarah Tanguy. Aug. 10 – Oct. 29, 2003


Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. The Whitney Museum of American Art, N.Y.C. June 27, 2002 - September 22, 2002.

Photography Past/Forward: Aperture at 50. traveling group exhibition October 2002 – October 2006, organized by Aperture Magazine, N.Y.C., venues: Sotheby’s Galleries, N.Y.C., Gosford Gallery, Australia, Georgia Museum of Art, Athens, Georgia, Fort Wayne Museum of Art, Fort Wayne, Indiana, Museum of Fine Arts, St. Petersburg, Florida.

Postflesh. Art Museum of Cal. State University of Sacramento. Curated by Rachel Clarke. Nov. 18 – Mar. 21, 2003.

Glassway, Les Salles du Verre. From Antiquity to the present. Musee Archeologique Regional d’Aoste, Italy. Curated by Maurizio Sciaccaluga. June 15 – October 27, 2002.

True Fictions, Inszenierte Fotokunst der 1990er Jahre, curated by Michael Kohler. Traveling exhibition throughout Northern Europe.

Parlez-Moi d’Humour, Centre Culturel Aragon, Aragon, France. Sept. 25 – Nov. 16, 2002


Border Stories, IX Biennale Internazionale di Fotografia, Palazzo Bricherasio, Torino, Italy. Curated by Denis Curti. Sept. 6 - October 7, 2001.

Working Here. Art at 111, Community Gallery, 111 First Street, Jersey City, New Jersey. Curated by William Rodwell. October 13, 2001 - November 11, 2001.

Rags to Riches. traveling exhibition of paper-based art sponsored and curated by Dieu Donne Papermill, N.Y.C. Itinerary: Kresge Art Museum, East Lansing, Michigan: Sept. 4-Oct. 28, 2001. Marianna Kistler Beach Museum, Manhattan, Kansas: Apr. 2-June 30, 2002. Heckschler Museum of Art, Huntingdon, L.I., N.Y.: Nov. 23, 2002-Jan. 27, 2003. Milwaukee Art Museum, Milwaukee, Wisc.: Apr. 11-June 22,2003. Catalogue.

Is Seeing Believing? The North Carolina Museum of Art, Raleigh, N.C., Jan. 14-April 1, 2001. Catalogue.


Environmentally Concerned. The Nathan Cummings Foundation. Curated by Karen E. Jones. Apr. 10-Sept. 15, 2000.

Cast of Characters.  The Albuquerque Museum of Art, Albuquerque, New Mexico, a survey of contemp. cast sculpture. 

The Green House installation, January 23- March 26, 2000. Catalogue.


Artificial Life. Consolidated Works, Seattle, Washington, Shimmering Madness  installation and a survey of photographs, October 8- November 28, 1999.

Almost Warm and Fuzzy: Childhood and Contemporary Art.  Des Moines Art Center, Des Moines, Iowa, September 12- November 21, 1999. Traveling exhib. through 2002 curated by Susan Lubowsky Talbott. Itinerary: Tacoma Art Museum, Tacoma, Wash.: July 8-Sept. 17, 2000. Scottsdale Museum, Scottsdale, Ariz.: Oct. 6, 2000- Jan. 14, 2001. P.S.1 Contemp. Art Ctr., Long Is. City, N.Y.: Fundacio la Caixa, Barcelona, Spain: Apr. 26-July 8, 2001. Crocker Art Museum, Sacramento, Calif.: Aug. 30-Nov. 4, 2001. Art Gallery of Hamilton, Hamilton, Ontario, Canada: Nov. 24, 2001-Jan. 20, 2002. Cleveland Ctr. Contemp. Art, Cleveland, Ohio: Sept. 6- Nov. 10, 2002.

Food for Thought, New Jersey Center for Visual Arts, Summit, New Jersey, April 1999.


Photography in the 1990's. Wright State University, Dayton, Ohio. Curated by Ron Geibert, Feb. 11-Mar.17,1996.



Work in Progress. Mississippi Museum of Art, Jackson, Mississippi. May 19-July 29, 1995.

Photography Today. Sonje Museum of Contemporary Art, Seoul, Korea. Mar. 31-May 31, 1995, catalogue.

L'Immagine Riflessa. Museo Pecci-Prato, Prato, Italy. Contemporary photography from the LAC Collection, Switzerland.      Apr. 1-May 28, 1995. Curated with catalogue by A. Soldaini and P. Colombo.

An American Century of Photography, From Dry-plate to Digital. Exhibition traveling 1995-96 to International Center of Photography, New York, N.Y., Mead Art Museum, Amherst, Mass., Nelson-Atkins Museum of Art, Kansas City, Mo., and others. Works from the Hallmark Photographic Collection, curated with catalogue by Keith F. Davis.


Around the House. Frumkin/Adams Gallery, 50 W. 57th St., N.Y., N.Y. June-July 1994.

La Chair Promise. Musee de l'Abbaye Sainte-Croix, Sainte-Croix, France. June 18-Sept. 30, 1994.

Babies and Bambies, Arti et Amicitiae, Amsterdam, Netherlands. Jan. 30-Feb. 27, 1994.

La Faune et la Flore. Mois de l'Image, Maison des Jeunes et de la Culture, Dieppe, France. Apr.6-May 7, 1994.

Testwall. TZ'ART & Co. Gallery, N.Y., N.Y. 3-dimensional multiples curated by B. Sahlman, Nov. 30, 1993-Jan. 15, 1994.


From the Gallery to the Museum, Photographic Discoveries: Extracts of the Paris Audiovisuel Collection. The Grand Palais, Paris, France. Feb. 3-8, 1993.

Vivid: Intense Images by American Photographers. itinerary: Raab Galerie, Berlin, Germany; Raab Boukamel Galleries Ltd., London, England; Gian Ferrari Arte Contemporanea, Milano, Italy. 1993, curated by Victoria Espy Burns. Catalogue with essays by Saltz, Kirshner, and Hixson.

American-made: The New Still-Life. Isetan Museum of Art, Tokyo, Japan. June 3-June 15, 1993. Hokkaido Obihuro Museum of Art, Hokkaido, Japan. Nov. 13-Dec. 19, 1993. Curated by P. Carroll; Catalogue.

Sonsbeek 93. Arnhem, Netherlands. Gemeentemuseum, Arnhem, Netherlands. part of project by Mike Kelley. June 3-Sept. 26, 1993.


Putt-Modernism. Artists Space, N.Y., N.Y. Aug. 1-Sept. 6. Curated by Ken Buhler. Scheduled to travel.

Installations & Constructions. Tavelli Williams Gallery, Aspen, Colorado. July 7-Aug. 1, 1993.

Arret sur Viaduc: Espace Art Defense, La Defense 4, Paris, France. June 25-Sept. 7, 1992. Curated by Alain Sayag.

Unclear and Present Danger. The National Arts Club, N.Y., N.Y. March 5-29, 1992.

Points of View-Photography Today. Champion Gallery, Stamford, Connecticut. Feb. 26-June 10, 1992.


Investigations in Perception. Joseloff Gallery, University of Hartford, Hartford School of Art, West Hartford, Conn. Nov. 24, 1991-Jan. 10, 1992.

The Intuitive Eye: Photographs from the David C. and Sarajean Ruttenberg Collection:,

The Art Institute of Chicago, Chicago, Illinois. Oct. 12, 1991-Jan 12, 1992.

Photography 1980-1990:. Ginny Williams Gallery, Denver, Colorado. June 7, 1991.

The American Scene: Contemporary Photographs. Rena Bransten Gallery, San Francisco, California. June 4-July 6, 1991.

Visions/Revisions,Selections from the Contemporary Collection. Denver Art Museum, Denver, Colorado. April 27-Aug. 25, 1991.

Fotografia Americana del Segle XX. Centre Cultural de la Fundacio la Caixa, Barcelona,Spain. April 16-May 26, 1991. Works from the permanent collection of The Center of Creative Photography, Univ. of Ariz., Tucson, Arizona.Catalogue.

Lo Specchio/In/Fedele. Padiglione d’ Arte Contemporanea di Milano, Milan, Italy. Feb. 14-March 10, 1991. Curated by Giuliana Scime. Catalogue.


Constructed Reality. New Jersey Center for Visual Arts, Summit, New Jersey. April 8-May 20, 1990. Catalogue. Biennale de Marseille. Musee de Marseille, Marseille, France. Curated by Bernard Millet, April-June 1990. Catalogue.

To Be And Not To Be. Centre d'Arte, Barcelona, Spain. April-May 1990. Curated by V. Altaio and C. Grande. Catalogue.

The Indomitable Spirit.. Sponsored by Photographers + Friends United Against AIDS. Itinerary: International Center of Photography, N.Y., N. Y.; Feb. 8-Apr. 17, 1990, The Los Angeles Municipal Art Gallery, Los Angeles, Calif.; May 13-June 17, 1990. Traveling exhibition curated by Marvin Heiferman. Catalogue.


L'Invention d'un Art..Centre Georges Pompidou, Paris, France. (150th anniversary of invention of photography) Fox Games installation created for this exhibition. Oct. 15, 1989-Jan. 1, 1990. Curated by Alain Sayag and Jean-Claude Lemagny. Catalogue published by Editions du Pompidou.

Constructed Realities. Munich Kunstverein, Munich, Germany. Traveled to: Kunsthalle Nurnberg, Germany; Oct.-Nov.1989/Museum of Contemporary Art, Bremen, Germany; Feb.-Mar. 1990/ Kunsthalle Karlsruhe, Karlsruhe, Germany; July-Aug. 1990. Curated by Michael Kohler.

Made Not Taken, The Expansion of Photography. Marion Locks Gallery, Phila., Pa. July 10-Aug. 25, 1989.

Lines Of Vision:Drawings by Contemporary Women. Blum-HelmanWarehouse, N.Y., N.Y. July 6-Aug. 17, 1989.

Fantasies, Fables, and Fabrications. Herter Art Gallery, Univ. of Mass., Amherst, Mass. Itinerary: Delaware Art Museum, Wilmington, Delaware; May 12-July 2, 1989/Herter Art Gallery, Amherst, Mass.; Sept. 27-Nov. 3, 1989, Lamont Phillips-Exeter Academy, Exeter, New Hampshire; Jan. 3-Feb. 4, 1990/Museum of Contemporary Art, Ostend,Belgium; June-Aug. 1990/Palazzo Mangarni, Florence, Italy; Sept. 1990/Museum of Contemp. Photography, Antwerp, Belgium; Nov.-Dec., 1990/Palace of Culture, Warsaw, Poland; Jan.-Feb. 1991. Curated by T. Richardson and M. Coblyn.

Suburban Home Life: Plotting the American Dream. Whitney Museum of American Art Downtown Branch, N.Y., N.Y. May 2-June 30, 1989, Whitney Museum of Art, Stamford, Connecticut; July 12-Sept. 6, 1988.

Fragments of History. The Albany Museum of Art, Albany, Georgia. July 21-Sept. 3, 1989 Catalogue with text by Peter Doroshenko.

The Photography of Invention: American Pictures of the Eighties. National Museum of American Art of the Smithsonian Institution, Wash., D.C. Apr. 28-Sept. 10, 1989. Itinerary: Museum of Contemporary Art, Chicago, Ill., Nov. 4, 1989-Jan. 28, 1990/The Walker Art Center, Minneapolis, Minn., June 10-Aug. 26, 1990. Curated by Joshua Smith. Catalogue with essay by J. Smith.

Artists of the 80's: Selected Works from the Maslow Collection. Sordoni Art Gallery, Wilkes College, Wilkes-Barre, Penn. Apr. 9-May 7, 1989. Catalogue.

Fictive Strategies. Squibb Gallery, Princeton, New Jersey. Feb. 26-Apr. 2, 1989. Curated by Joseph Rauch Smoke.

Making Their Mark: Women Artists Move Into The Mainstream: 1970-85. Itinerary: Cincinnati Art Museum, Cincinatti, Ohio, Feb. 22-Apr. 2, 1989/New Orleans Museum of Art, New Orleans, Louisiana; May 6-June 18, 1989/Denver Art Museum, Denver, Colo., July 15-Sept. 10, 1989/Penn. Academy of Fine Arts, Philadelphia, Penn.;Oct. 18-Jan. 3, 1990. Curated by Catherine Coleman Brawer and Randy Rosen. Catalogue.

Science Projects. Lafayette College, Easton, Penn. Feb. 15-Mar. 31, 1989.Curated by J. Borden.

Decade by Decade. Center for Creative Photography, The Univ. of Arizona, Tucson, Ariz. Feb. 10-June 9, 1989.

Art of the 80's, From the Collection of Chemical Bank. The Montclair Art Museum, Montclair, N. J. Jan. 29-April 9, 1989. Curated by Janice C. Oresman.

Visiting Artists. Meyerhoff Gallery, Maryland Institute of Art, Baltimore, Md. Jan.-Feb. 1989.

Photography Expanded. G.H. Dalsheimer Gallery, Baltimore, Md. Jan. 16-Feb. 25, 1989

Women of Photography. Zur Stockeregg Galerie fur Kunstphotographie, Zurich, Switzerland. Jan.-Feb. 1989.

The Liberated Image: Fabricated Photography Since 1970. Tampa Museum of Art, Tampa, Florida. Selections from the permanent collection; curated by Genevieve Linnehan.

Lifelike. Lorence-Monk Gallery, N.Y., N.Y. June 4-June 25,1989. Curated by Marvin Heiferman.


The Nature of Things. Cydney Payton Gallery, Denver, Colo. Nov. 4-Dec. 9, 1988.

Forecasts. Nerlino Gallery, Inc., N.Y., N.Y. Sept. 24 -Oct. 25, 1988. Catalogue

Objects. Lorence-Monk Gallery, N.Y., N.Y. July 7-July 29, 1988.

Photography on the Edge. The Haggarty Museum of Art, Marquette University, Milwaukee, Wisconsin. March 24-June 8, 1988.

Fabricated Photographs. The Carpenter Center, Harvard University, Cambridge, Mass. Mar. 3-Apr. 10, 1988. Curated by Anne H. Hoy in conjunction with her book, Fabrications, pub. by Abbeville Press, N.Y., N.Y. 1987.

Fifty Years of Modern Color Photography 1936-1986. Photokina, Cologne, West Germany. Sept.-Oct. 1988.Catalogue published as a book: Modern Color Photography. Curated by Manfred Heiting.

Perceptual Subversion. Bruno Facchetti Gallery, N.Y., N.Y. Feb. 6-Mar 2, 1988.


Cross-References: Sculpture into Photography. The Walker Art Center, Minneapolis, Minn. Sept. 26-Dec. 13, 1987; Curated by Marge Goldwater, Adam Weinberg and Liz Armstrong. Traveled to the Museum of Contemporary Art, Chicago, Illinois. Catalogue.

Greater Than or Equal to 30" x 40": Large Format Photography. Jayne H. Baum Gallery, N.Y., N.Y. Mar. 19-Apr.18, 1987.

This Is Not A Photograph: Twenty Years of Large Scale Photography, 1966-1986. The John and Mable Ringling Museum of Art, Sarasota, Florida. Mar. 6-May 31, 1987. Itinerary: Akron Art Museum, Akron, Ohio: Oct. 31-Jan. 1988/The Chrysler Museum, Detroit, Mich.:Feb. 12-April 12, 1988. Curated by Joseph Jacobs. Catalogue.

Arrangements for the Camera: A View of Contemporary Photography. Baltimore Museum of Art, Baltimore,Md. Feb. 10-Apr. 19, 1987. Curated by Janice Howard.

Photography and Art, 1946-86. organized by The Los Angeles County Museum of Art, Los Angeles, Calif. and The Museum of Art, Ft Lauderdale, Florida. Curated by Kathleen Gauss and Andy Grundberg. Catalogue with text by Gauss and Grundberg.


Theatre des Realites. Metz Pour la Photographie, Metz-Marly, France, March 1986/ Palais de Tokyo, Paris, France, Oct.1986. Catalog with essays by Lacoue-Labarthe, Roegiers, and Meatyard.

Disarming Images: Art for Nuclear Disarmament. Bronx Museum of the Arts, N.Y., N.Y. Sept. 13-Nov. 23, 1986.

The Magic of the Image: From the Permanent Collection. Museum of Contemporary Art, Montreal, Canada. June 1-Aug. 31, 1986. Catalogue with text by Paulette Gagnon.

Short Stories. One Penn Plaza, N.Y., N.Y. Curated by Judd Tully, May 19-Sept. 5, 1986.

Contemporary Issues III. Holman Hall Art Gallery, Trenton State College, Trenton, N.J. (works from the collection of Robert and Nancy Kaye) Apr. 2-23, 1986. Catalogue.

Psychodrama Restructured. Philadelphia Art Alliance, Philadelphia, Penn. Curated by Saul Ostrow.

Figuration: A Project of the Associate Council. The Museum of Modern Art, N.Y., N.Y. for the American Express Corporation.


Correspondences, New York Art Now. Itinerary: Laforet Museum Harajuko, Tokyo, Japan: Dec. 20,1985-Jan. 19,1986/Tochigi Prefectural Museum of Fine Arts, Utsunomiya, Japan: Feb. 8-March 23, 1986. Curated by Nicolas Moufarrege. Catalogue with text by Moufarrege and Alan Jones.

Group Show. Myers/Kent Galleries, State Univ. of New York at Plattsbugh, Plattsburgh, N. Y. Sept. 25-Oct. 30, 1985.

Two Photographers: Skoglund and Pfahl. Museum of Art, Science and Industry, Bridgeport, Conn. May-Aug. 1985.

Photographic Fictions. Whitney Museum of American Art, Stamford, Connecticut. Curated by Roni Feinstein.

Illuminating Color: Four Approaches in Contemporary Painting and Photography. Pratt Institute Gallery, Brooklyn, N.Y. Curated by Nina Prantis. Held in conjunction with conference on color.

Still Life in Photography. Rotterdam Arts Council, Rotterdam, the Netherlands. Mar. 30- June 30, 1985.

Real Surreal. Lorence Monk Gallery, N.Y., N.Y. May 1985.


Sculpture from Rutgers. Robeson Center Gallery, Rutgers University, Newark, N.J. Nov. 29-Dec. 21, 1984.

New Drawings by Castelli Artists. Castelli Uptown Gallery, N.Y.,N.Y. Oct. 13-Nov. 3. 1984.

America: Faces and Places. Liberty House, Honolulu, Hawaii. Sept. 9-22, 1984. Curated by Marvin Heiferman.

Large Scale Photography. Dart Gallery, Chicago, Illinois. Sept. 14-Oct. 10, 1984.

The Contemporary Photograph 1980's, Toward a New Development. Fakuoka Art Museum, Japan. Catalogue.

Disarming Images, Art as Social Conscience. Itinerary: Cincinatti Center of Contemporary Art, Cincinnati, Ohio./University Art Gallery, San Diego State University, San Diego, California/ Museum of Art, Washington State University, Pullman, Wash./N.Y. State Museum, Albany, N.Y./University Art Museum, Univ.of Calif., Santa Barbara, Calif./Munson-Williams-Proctor Institute, Utica, N.Y./Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio/Baxter Art Gallery, Calif. Institute of Technology, Pasadena, Calif./Yellowstone Art Center, Billings, Montana. Curated by Nina Felshin. Catalogue with essay by Nina Felshin.

Visions of Childhood: A Contemporary Iconography. Whitney Mus. of American Art, Downtown Branch, N.Y., N.Y.

Castelli Graphics Fifteenth Anniversary Exhibition. Castelli Graphics, N.Y.,N.Y. Mar. 10-31, 1984.

Art at Federal Hall National Memorial. N.Y., N.Y. Mar. 28-May 11, 1984.

Photographic Narration. The Rotunda Gallery, Brooklyn, N.Y. Apr. 5-May 5, 1984.

Group Show. The Texas Gallery, Houston, Texas. Sept. 5-Oct. 31, 1984.


Images Fabriquees. Gallerie Viviane Esders, Centre Georges Pompidou, Paris, France. Dec. 10, 1983-Jan. 17, 1984.

Arranged Image Photography. Itinerary: Boise Gallery of Art, Boise, Idaho: Oct. 1-Nov. 6, 1983/Cheney

Cowles Memorial Art Mus., Spokane, Wash./Yellowstone Art Ctr., Billings, Montana. Curated by Sandy Harthorn. Catalogue.

Invention and Allegory. Daniel Wolf Gallery, N.Y., N.Y. Sept. 8-Oct.1, 1983.

Photography in America: 1910 to present. The Tampa Museum of Art, Tampa, Florida. Sept.4-Nov. 6, 1983. Curated and catalogue essay by Julie M. Saul.

Figurative Contexts. Turman Gallery, Indiana State Unversity, Terre Haute, Indiana. Sept. 3-Oct. 2, 1983. Catalogue by Frances Lattanzio and Bert Brouwer.

Reordered Realities:The Photograph as Fiction. The Portsmouth Museum, Portsmouth,Va. Mar.-April 1983.

New Talent/New York: Itinerary during 1983-84: Sioux City Art Center, Sioux City, Iowa/ University of Wisconsin, Stout, Wisc./Univ. of Northern Iowa, Cedar Falls, Iowa/Fort Hays Kansas State College, Fort Hays, Kansas/Univ. of Wisconsin, Green Bay, Wisc. Curated by Tom Butler. Catalogue with essays by Lisa Liebmann and Tom Butler.

Anxious Interiors. Itinerary during 1983-84: Laguna Beach Museum of Art, Laguna Beach, Calif./Alaska State Museum, Juneau, Alaska/Alaska Association for the Arts, Fairbanks, Alaska/Visual Arts Center of Alaska, Anchorage, Alaska/

Banff Center for the Arts, Banff, Alberta, Canada/TheVisual Arts Gallery, Florida International University, Miami, Fla./Univ. of South Florida, Tampa,Florida/Munson-Williams-Proctor Institute, Utica, N.Y. Curated by Elaine Dines.Catalogue with essay by Dines, published by Laguna Beach Museum of Art.

Art As Social Conscience. Edith C. Blum Art Institute, Bard College, Vt. Curated by Linda Weintraub.

Drawings/Photographs. Leo Castelli Gallery, N.Y., N.Y.

Habitats. The Clocktower, N.Y., N.Y.

Illuminations. Freeport-McMoran, Inc., exhibit through the M.O.M.A. Lending Service.

New Work New York. Newcastle Polytechnic Gallery, N.Y. Curated by Ellen Price. Catalogue.

Photography:The Constructed Image. The Castel Gallery, The College of New Rochelle, New Rochelle, N.Y. Curated by Barbara Lipton and Robert Worth.

Phototypes:The Development of Photography in New York City. Whitney Museum of American Art, Downtown Branch, N.Y., N.Y. Catalogue with essays by Walsh, Baker, and Dowd.

The Print Club. Philadelphia, Pennsylvania.

Re-Ordered Realities:The Photograph as Fiction. Portsmouth Community Arts Center,Portsmouth, Virginia.

Sculpture Now: Recent Figurative Works. Institute of Contemporary Art of the Virginia Museum, Richmond, Virginia. Curated by Julia Boyd.

Three Dimensional Photographs. Castelli Graphics, N.Y., N.Y. Itinerary: Fraenkel Gallery and Grapestake Gallery, San Francisco, Calif.; Hermann Wunsche Gallery, Bonn, West Germany.

Staged Photo Events. organized by Rotterdam Arts Council, Lijnbaancenter, Rotterdam, The Netherlands. Itinerary: Neue Galerie-Sammlung Ludwig, Aachen, The Netherlands: Dec. 1982/ Municipal Van Reekum Museum, Apeldoorn,The Netherlands: Jan. 1983/Antwerp Museum of Modern Art, Antwerp, The Netherlands: April-May 1983.

New New York Generation. Origrafica, Malmo, Sweden. Oct. 16-Nov. 27, 1983.


Color As Form, A History of Color Photography. Organized by the International Museum of Photography, George Eastman House, Rochester, N.Y. July 2-Sept. 5, 1982. Traveled to: Corcoran Gallery of Art, Wash., D.C. Apr. 10-May 6, 1982. Catalogue.

Points of View. Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Okla. Jan. 17-Feb. 21, 1982. Catalogue.

Inside Spaces. Dancer Fitzgerald Sample, Inc., exhibit through the M.O.M.A.  Lending Service.

Beyond Photography:The Fabricated Image. Delahunty Gallery, N.Y., N.Y.

The Atomic Salon. Ronald Feldman Gallery, N.Y., N.Y.

Artist's Photographs. Fine Arts Gallery, University of South Florida, Tampa, Florida.


New American Color Photography. Institute of Contemporary Art, London, England. Nov. 8-Sept. 25, 1981. Staged Shots. Delahunty Gallery, Dallas, Texas. Apr. 11-May 6 1981.

Animals in the Arsenal. Department of Parks and Recreation, The Arsenal Gallery, N.Y., N.Y. Curated with catalogue by Angela Fremont and Betty Tompkins.

Coastal Currents. A California/New York Exhibition by South Texas Artmobile. Catalogue.

New American Art. Gotesbourg Art Museum, Gotesbourg, Sweden.

The New Color. Everson Museum of Art, Syracuse, New York. Itinerary: International Center of Photography, N.Y.,N.Y./Columbus Museum of Art, Columbus, Oh./Gibbes Art Gallery, Charleston, So. Carolina/Art Gallery of Hamilton, Ontario, Canada. Curated by Sally Eauclaire, based on her book, The New Color , pub. by Abbeville Press, N.Y., N.Y.1981.

Photography:A Personal View. Morris Museum of Arts and Sciences, Morristown, N.J.

Schemes:A Decade of Installation Drawing. Elise Meyer Gallery, N.Y., N.Y. Itinerary: Emily Lowe Gallery, Hofstra Univ./Musee d'Art Contemporain, Cite du Havre, Montreal, Canada/Le High Univ. Art Galleries, Bethlehem, Penn. Curated by Shelley Rice.

Whitney Biennial. Whitney Museum of American Art, N.Y., N.Y.


Contemporary Photographs. Fogg Art Museum, Harvard Univ., Boston, Mass.

Group Show. CEPA Workshop and Gallery, Buffalo, N.Y. Oct. 18-Nov. 24, 1980.

Group Show. Texas Gallery, Houston, Texas. July 1980. Curated by Marvin Heiferman.

Likely Stories. Castelli Graphics, N.Y.,N.Y. July 7-Sept. 13, 1980.

Interiors. Barbara Gladstone Gallery, N.Y., N.Y.


Pictures: Photographs. Castelli Graphics, N.Y., N.Y. June 23-July 27, 1979.


Drawings II. Touchstone Gallery, N.Y., N.Y.


Invitational. 55 Mercer Gallery, N.Y., N.Y.









DE WITTE, LARMANN, SHIELDS. Gateways to Art second revised edition. Textbook Published by Thames and Hudson Ltd., London, U.K. pg 226. isbn# 978-0-500-28956-3.

Editors. Art Styles Set 3, Regionalism to Installation Art, Crystal Productions, Tucson, Arizona. Art education video isbn# 978-1-56290-360-2

FRANCIS, Richard C. Domesticated: Evolution In A Man-Made World, cover art for scientific textbook. Pub. by W.W.Norton and Co.,N.Y.,N.Y., isbn #978-0-393-06460-5 and 978-393-24651.

KOVACS, Arpad. Animals In Photographs, first edition, pub. by The Getty Museum Publications, Los Angeles, California.

Orvell, Miles. American Photography First Edition, textbook pub. by Oxford Press, Toronto, Canada.


ANG, Tom. Photography The Definitive Visual Guide. textbook pub. by Dorling Kindersley Publishers, London, U.K. isbn# 9781409346456

DOVEY, Ceridwen. Only The Animals, cover of book pub. by Penguin Group Australia, Melbourne, Australia. Isbn# 9781926428581.

EDITORS. Food In Contemporary Art Practices, pub. by Editions Esse, Montreal, Canada.

JEFFREY, Ian. The Photography Book Second Edition, pub. by Phaidon Press Inc., N.Y., N.Y. isbn# 978-0-7148-6738-0. Page 470.

STETTER, Bitten and MAIR, Judith. Moral Phobia. Book pub. by Gudberg Verlag Publishers, Hamburg, Germany


EDITORS. Red Wave,  feature article. Art World Magazine, Shanghai, China. Page 28, April-May 2013.


MACMILLAN, Kyle.  Review of Sandy Skoglund at Rule Gallery, Artforum Magazine, page 218, April 2012.

HEINE, Florian. Photography The Groundbreaking Moments, Prestel Publishing, Munich, Germany Isbn 978-3-7913-4669-4 hardcover book English and German.

HACKING, Juliet and CAMPANY, David. Photography The Whole Story, Prestel Publishing, NY, NY. Pgs 522-523 isbn 978-3-7913-4734-9 hardcover book.

POGUE, Dwight. Printmaking Revolution. Textbook pub. by Watson-Guptill Publications, N.Y., N.Y. isbn# 978-0-8230-0812-4. Page 71.


BARRETT, Terry. Making Art: Form and Meaning, textbook, McGraw Hill, NY, NY pgs 57-59. Isbn 978-0-07-252178-8.

RICE, Shelley. Material Dreaming: Photography and Sculpture, Sculpture Magazine Sept. 2011, pgs 49-53.


GARCIA, Erin C. Photography As Fiction, J. Paul Getty Museum trust, page 62. Isbn# 978-1-60606-031-5.


BLOOMFIELD, Paul. Sandy Skoglund: Radioactive Cats, Art New England, reviews, Page 39, Aug/Sept 2008.

CWALINSKI, Vladek. Artists working in their Studios: Sandy Skoglund. Work in progress. Book to be published by Skira.

FOSCHI, Gigliola. Sandy Skoglund: Hybrid Worlds, catalogue essay for Magic Time exhibition, Brescia, Italy, published by Paciarte 2008.

FORMAN, Roanna. Wedded Bliss, review of exhibt. at Peabody Essex Museum, Salem, Mass., summer 2008, Artscope Magazine, Quincy, Mass. page 20, July/Aug 2008 issue.

JOHNSON, Ken. The Aipad Photography Show New York, New York Times, Fri. Apr. 11, 2008 p.E36.

MACMILLAN, Kyle. Reintroducing A Body of Work: Denver Art Museum Digs Into Storage to Celebrate a Diverse Look at the Human Figure. Denver Post, Fine Arts section, Sunday, Aug. 24, 2008.

PANERO, Luca. Interview with Sandy Skoglund, on-line publication in conjunction with exhib. True Fiction Two at Betta Frigerio Arte Contemporanea, Modena, Italy Sept. 2008.


MONVOISIN, Alain. Dictionary of Modern and Contemporary Sculpture, Editions du Regard, Paris, France

STEWART,Mary.Launching the Imagination, textbook Third Ed, McGraw Hill Higher Ed., San Francisco, Ca.

CARTIER-BRESSON, Anne. Vocabulaire Technique de la Photographie, Editions Marval Edigroup, Paris, France.

EDITORS, Explorations in Art Elementary Textbook, Davis Publications, Worcester, Mass.

STONE, Jim. Photography 9th Edition, textbook by Prentice Hall/Pearson Education Pub.,Upper Saddle River, N.J.

STONE, Jim. Photography the Digital Way, textbook by Prentice Hall/Pearson Educat. Pub.,Upper Saddle River, N.J.


FATORELLI, Antonio and BRUNO, Fernando. Textbook titled Limiares da imagem-tecnologia e estetica na cultura contemporanea. Pub by MAUAD Editora Ltd., Rio de Janeiro, Brazil. Portuguese language only.

BOUQUERET, Christian. La Photographie Surrealiste,, pub. by Actes Sud Photo Poche, Arles, France isbn 2-7427-6475.

ROBERTS, Pamela. A Century of Color Photography, pub. by Carleton Books, London, England. Isbn#1-84442-000-0.

RAGANS, Rosalind and MITTLER, Gene. Art Interactions DVD, educational program by Glencoe McGraw-Hill Pub.,Woodland Hills, Calif. Isbn#0-07-874202-1.

BEURER, Ms., Was Ist Was Fotografie, published by Ragnar Tessloff GmbH Co., Nurnberg, Germany.Isbn# 3-7886-0403-4.

ZELANSKI and FISHER. Shaping Space, textbook pub. by Thompson Learning Wadsworth Publishing.


WARREN, Lynne. Encyclopedia of Twentieth Century Photography, Museum of Contemporary Art, Chicago, Illinois.

WITKIN, Lee and LONDON, Barbara. The Photograph Collectors Guide revised edition. Pub. by Bullfinch Press, Division of Little Brown Publishers, Time Warner Corp.

BRESLER. An International Handbook of Research on Arts Education, pub. by Kluwer.

WALKER, Sydney and STEWART. Re-thinking Art Curriculum, first edition, pub. by Davis Publications, Worcester, Mass.

BARRETT, Terry. Criticizing Photographs 4th edition, pub. by McGraw Hill Higher Education Publishers, San Francisco, Calif.

GETLEIN, Mark. Living With Art, 7th edition, pub. by McGraw-Hill Higher Education Publishers,

San Francisco, Calif.

KWALINSKI, Vladek. Animale Nell'Arte. Skira Books, Milan, Italy. October 2005 isbn 8876240624.

MUSCHERT, Michel. Cours de Dessin- Arts Appliques, pub. by Casteilla Publishers, Saint Quentin en Yvelines, France. Isbn#2-7135-2580-2.

HOY, Anne. The Book of Photography, pub. by National Geographic Publishers, Washington, D.C.

EDITORS. Art Styles Vol III educational video by Crystal Productions, Aspen, Colorado.

OCVIRK, Otto et al. Art Fundamentals: Theory and Practice, pub. by McGraw-Hill Higher Ed.,

San Francisco, Calif. isbn#0072862335.

SAKAI, NODA, SUMIKAWA, KATSUI. High School Art Textbook 1. Pub. by Mitsumura Publishing Co., Japan.

RAGANS, Rosalind. Art Connections, pub. by SRA McGraw-Hill, Columbus, Ohio.

RAGANS/MITTLER.  Exploring Art. CD rom, textbook, and online, pub. by Glencoe McGraw Hill,

Woodland Hills, Calif., isbn#0-07-846529-X

RAGANS/MITTLER, Introducing Art, revised 3rd edition, CD ROM, online and book. pub. by Glencoe McGraw Hill, Woodland Hills, Calif. Isbn#0-07-873555-6.


DUFFAU and PFIRRMANN. Francais BTS., textbook pub. by Hachette Publishers, Paris, France.

WILLIAMS, Arthur. The Sculpture Reference, textbook pub. by Sculpture Books, Gulfport, Miss.

WILLIAMS, Arthur. Beginning Sculpture, textbook pub. by Davis Publications, Worcester, Mass.

HOBBS, SALOME, and VIETH. The Visual Experience, textbook pub. by Davis Publications, Worcester, Mass.

FAIGLEY et al. Picturing Texts, pub. by W.W. Norton Co., N.Y., N.Y.


BERSSON, Robert. Responding to Art, textbook pub. by McGraw Hill Higher Education, isbn # 069725819X, 2003.

ORVELL, Miles. American Photography , pub. by Oxford University Press, Great Clarendon Street, Oxford, England, 2003.

KELLY, James. The Sculptural Idea, pub. by Waveland Press, Long Grove, Ill.

SINGLEY, Paulette. Eating Architecture, pub. by M.I.T. Press, Boston, Mass.


WOLF, SYLVIA. Visions From America, Photographs from the Whitney Museum of American Art, 1940-2001, book pub. by Prestel, Germany. p.45, p.115.

STEWART, Mary. Launching the Imagination, A Comprehensive Guide to Basic Design, first edition, pub. by McGraw-Hill Higher Education, ISBN 0-07-230355-7, pp2-17, 12-15.

KOENIG, Becky. Color Workbook, textbook pub. by Prentice-Hall, Pearson Education Publishers, Buffalo, New York.

PARDO, Tania. Mecanismos de Simulacion, Sandy Skoglund, Lapiz Magazine, Madrid, Spain, pp.45-51.

DURGIN, Michael. Reviews: Rags to Riches: 25 Years of Paper Art, Hand Papermaking Magazine, vol 17, No. 1, Summer 2002, pp.29-31.

ARIOLI, Massimo. Enciclopedia Italiana, section titled Photography and Art, pub. by Instituto Della Enciclopedia Italiana, 2002-2003.

MACMILLAN, Kyle. Beauty and the Banal, The Denver Post, Sept. 20, 2002, sec FF.

BREEN, Jessie. Popped Culture, The Ithaca Times, April 24-30, 15.

GETLEIN, Mark. Living With Art, 6th edition, textbook published by McGraw Hill College Textbook Division. pp. 60-70.

OLDKNOW, Tina. Collectors as Advocates, American Craft Magazine, June/July 2002, p60-61.


MAKSYMOWICZ, Virginia. High and Low, Sculpture Magazine, March 2001. pp 25-28.

MARIEN, Mary Warner. Photography: A Cultural History. Pub. by Laurence King Ltd., London, U.K. 2002.

KOETZLE, Hans-Michael, Photo Icons, The Story Behind the Pictures 1928-1991, bk pub. Taschen Publishers,Cologne,Germany.

DREISHPOON, DOUGLAS and HEIFERMAN, Marvin.Raining Popcorn Catalogue, published by Faulconer Gallery, Grinnell College, Grinnell, Iowa, 2001.

VAN BARON, Judith. Essay: Sandy Skoglund for catalogue, published by the Savannah College of Art and Design, Savannah, Georgia, 2001.

PIGUET, Philippe. Essay: Sandy Skoglund for catalogue published by Galerie Guy Bartschi. Geneva, Switzerland, 2000.


BALZANI, Elena.  I set fotographia di Sandy Skoglund, Corriere dell’Arte, Milan, Italy, February 20, 1999.

BISCHOFF, Dan.  A Matter of Taste,  Sunday Star Ledger, New Jersey, April 4, 1999.

CULLUM, Jerry.  Skoglund’s Room-Sized “Madness” Shimmers with Sensory Overload, The Atlanta Journal Constitution, Atlanta, Georgia, April 9, 1999.

CULLUM, Jerry.  Cohesiveness Counts for a Lot, The Atlanta Journal Constitution, Atlanta, Ga, August, 27, 1999.

DAVIS, Keith F.  An American Century of Photography: From Dry Plate to Digital, Second edition, revised and enlarged, book published by Hallmark Cards, Inc., Kansas City, Missouri, in association with Harry N. Abrams, 1999.

Editors.  Male/Female, Aperture., New York, NY, No. 156, Summer 1999. 

Editors.  L’Acida Sandy Skoglund; Glamour Magazine (in Italian), N. 84, Italy, Februray 1999.

Editors.  Sandy Skoglund; Tema Celeste: Arte Contemporanea, Italy, 1999. 

GLEICK, James.  Seeing Faster, The New York Times Magazine, Millenium Special Edition, N.Y., N.Y., September 1999.

GREEN, Roger.  Get Surreal, The Ann Arbor News, Ann Arbor, Michigan, March 13, 1999.

JOHNSON, Ken.  Sandy Skoglund: ‘Shimmering Madness’, The New York Times, N.Y., N.Y., January 22, 1999.

JOHNSON, Ken.  Works on Paper, The New York Times, N.Y., N.Y., March 5, 1999.

KLINE, Christina.  Wryly Wit and Shocking Humor, Atlanta Press, Atlanta, Georgia, March, 1999.

LOKE, Margaret.  Sandy Skoglund, ARTnews Magazine, N.Y., N.Y., April 1999.

MACCASH, Douglas.  Jellybean Dreams: Tableau photos turn reality inside out, The Times Picayune Newspaper, New Orleans, Louisiana, September 24, 1999.

MCDARRAH, Gloria, Fred and Timothy.  The Photography Encyclopedia, Schirmer Books, N.Y., N.Y., 1999.

MACMILLAN, John.  Reality’s Rebel, Smith Alumnae Quarterly, Northampton, Mass., Winter 1998-99.

MINDLIN, Bill.  About the Cover, Photography in New York International, N.Y., N.Y., January/February 1999.

RAMOS, Steve.  Arts Beat, Cincinnati City Beat, Cincinnati, Ohio, March 4-10, 1999.

RUSH, Michael.  Sandy Skoglund: ‘Shimmering Madness’, Review: The Critical State of Visual Art in New York, N.Y., N.Y., February 1, 1999.


SCIME, Giuliana.  Il Racconti Ironici di Sandy Skoglund, Corriere della Sera, Italy, April 4, 1999.

SCOTT, Rebekah.  Twisted Reality, The Blade, Toledo, Ohio, February 7, 1999.

STERLING, Susan Fisher.  The Defining Eye of Helen Kornblum, Women in the Arts Quarterly, The National Museum of Women in the Arts, Washington, DC, Vol. XVII, No. 3, Fall 1999.

VALDEZ, Sarah.  Sandy Skoglund at Janet Borden, Art in America, New York, NY, October, 1999.



BAYLISS, Sarah.  The Fertility Den, World Art Magazine, Issue 17, published by G + B Arts International, 1998.

BEAUMONT, Kathryn.  Sandy Skoglund’s Redecorated Worls, Photomarket Magazine, N.Y., N.Y., January 1998.

DANZIS, Steve F.  Behind the Lions:  A Family Guide to the AIC, The Art Institute of Chicago, 1998.

Editors.  Ordinary Life Gone Awry,  The Chronicle of Higher Education, April 3, 1998,

Editors.  Mom, Dad, There’s Nothing to Do!, The Cincinnati Enquirer, Cincinnati, Ohio, July 31, 1998.

Editors.  Sandy Skoglund: Reality Under Siege, Times Literary Supplement (UK), London, England, April 17, 1998.

Editors.  Sandy Skoglund: Reality Under Siege, Times Literary Supplement (UK), London, England, June 26, 1998.

FINDSEN, Owen.  Reality’s Rebel, The Cincinnati Enquirer, Cincinnati, Ohio, June 28, 1998.

GLUECK, Grace.  Unsettling Fantasies that Comment on Popular Culture, The New York Times, N.Y., May 1, 1998.


HARMON, Ben.  The Things of the World Fight Back, Bay Windows, Massachusetts, May 14, 1998.

HINSHAW, Dawn.  A Vision in Unreality, The State, Columbia, South Carolina, October 11, 1998.

HINSON, Tom E.  Cleveland Collects: Contemporary Art, The Cleveland Museum of Art, Cleveland, Ohio, 1998.

MCQUAID, Cate.  A World Ruled by Unhealthy Appetites, The Boston Globe, Boston, Mass., May 14, 1998.

MOORE, Angela.  Reality Under Siege:  A Retrospective, a book review in Cover Magazine, N.Y., N.Y., May 1998.

NELSON, Shawn.  Sandy Skoglund Challenges Reality at the Columbia Art Museum, Ticket, Columbia, South Carolina, October 29, 1998.

PAPARONI, Demetrio.  Sandy Skoglund, Tema Celeste: Arte Contemporanea, Italy, July- September 1998.

RUSSEL, Gloria.  An Uneasy Universe, Sunday Republican, Massachusetts, March 8, 1998.

SCHWABSKY, Barry.  Art Reviews: Sandy Skoglund: ‘Shimmering Madness’, The New York Times, N.Y., N.Y., November 1, 1998.

SUTHERLAND, Amy.  Reality Click, Maine Sunday Telegram, Portland, Maine, January 11, 1998.

STEIN, Jerry.  Reality Runs Amok, The Cincinnati Post, Cincinnati, Ohio, June 30, 1998.

TARLOW, Lois.  Profile: Sandy Skoglund, Art New England Magazine, Brighton, Mass., October/ November 1998.

TYNES, Teri.  Sandy Skoglund and “Stuff”, Free Times, Columbia, South Carolina, October 14-20, 1998.


Editors.  Making it Real;  Review, New York, NY, February 1997.

KARABINIS, Paul.  Telling Stories, catalogue for group exhibit published by The Jacksonville Museum of Contemporary Art, Jacksonville, Florida, April 1997.

MUNIZ, Vic.  Making it Real, catalogue for group exhibit published by Independent Curators Inc., N.Y., N.Y., 1997.

PAPARONI, Demetrio.  Il Sacro Fuoco dell’Indentita (The Holy Fire of Identity), Tema Celeste: Arte Contemporanea, Italy, October-December 1997. 


BARRETT, Terry. Criticizing Photographs, second edition, college text pub. by Mayfield Publishing Co., Mountainview, Calif., 1995.

BAURET, Gabriel, and AMBROSINI, Isabelle. The Eighties, book pub. by Editions du Regard, Paris, France. Oct. 1995.

CONTRADA, Fred. Giant Babies Invade College Pond: Smith College Amumna Exhibits Apocalyptic Work, Hampshire Union-News, Northampton, Mass., Mar. 29, 1995.

DAVIS, Keith. An American Century of Photography, from Dry-Plate to Digital, catalogue for exhibition pub. as book by Hallmark Cards, Inc., with Harry N. Abrams, Inc., N.Y., N.Y., 1995, pp. 310,362,414,422.

Editors. Art Babies, Daily Hampshire Gazette, Northampton, Mass., Mar. 29, 1995, p.1 & p.3.

Editors. La Cultura, El Pais, Madrid, Spain, Feb. 12, 1995, p.34.

Editors. Dreams, Life Magazine, N.Y., N.Y., Sept. 1995, pp.40-41.

Editors. Light Impressions, cover (Revenge of the Goldfish) for catalogue pub. by Light Impressions, Inc., Rochester, New York. Winter-Spring issue 1995.

Editors. Light Impressions, cover (Fox Games) for catalogue pub. by Light Impressions, Inc., Rochester, New York. Fall-Winter issue 1995.

Editors. Literary Connections, Video disc for high school students, pub. by McDougal, Littell & Co., Evanston, Illinois, 1995.

Editors. Calendar. Museum News Magazine, Jan./Feb. 1995, p.16 & 17.

Editors. Reviews, compiled German press from solo exhibit at Schloss Arolsen, Arolsen,Germany, Jan.-Feb.1995.

Editors. Reviews, compiled press from Work in Progress at Mississippi Museum of Art, Jackson, Mississippi, Apr.-May 1995.

ESDERS, Viviane. Portraits of My Mother, catalogue for exhibition pub. as book by Stewart, Tabori and Chang, Inc., N.Y., N.Y. 1995.

FICHNER-RATHUS, Lois. Understanding Art, Fourth Edition, textbook Prentice-Hall, College Archives,Stamford, Conn., 1995, pp.184-185,529.

FLOYD, Nell Luter. In Progress, The Clarion-Ledger, Jackson, Miss., June 18, 1995, p.1F & 2F.

GOLDBERGER, Corine. Bureaux: la guerre de l'espace, Biba, Paris, France, Jan. 1995.

HURWITZ, Al and DAY, Michael. Children and Their Art, book pub. by Harcourt Brace & Co., Ft. Worth, Texas, 1995.

ILLES, Vera. Tussen horrer en humor, Elsevier, The Netherlands, May 1995, p.91.

KIM, Sun Jung. Photography Today, catalogue for exhibition, pub. by Sonje Museum of Contemporary Art, Seoul, Korea.

KOETZLE, Michael. Inszenierte Traume, Max Magazine, Germany, Feb. 1995, pp. 230-237. BUSER, Thomas. Experiencing Art Around Us, textbook pub. by West Educational Publishing, St. Paul, Minnesota, Fall 1994.

RAUSCH, Gary. Food For Art, Scottsdale Life, Scottsdale, Arizona, June 1, 1995, p.19.  SOLDAINI, Antonella, and COLOMBO, Paolo. L'Immagine Riflessa, a selection of contemporary photography from the LAC Collection, Baroness Marion Lambert, Geneva, Switzerland; catalogue for exhibition pub. by Centro per l'Arte Contemporanea Luigi Pecci and Museo d'arte Contemporanea Prato, Italy, April 1995.

TIBBETTS, John C. Framing a Century of American Change, Christian Science Monitor, Jan. 18, 1995, p.12.

VALICOURT, Benedicte. Naissance sur Ordonnance, Biba Magazine, Feb. 1995, pp. 110-111.

WATTS, James D. Crunch Time, Tulsa World, Mar. 3, 1995, p.1E & 4E.

ZELANSKI, Paul and FISHER, Mary Pat. Shaping Space, textbook pub. by Harcourt Brace College Publishers, Ft. Worth, Texas, 1995.


CAMPBELL, Darlyn. Fun With Photography, Ohio Magazine, April 1994, p.91.

CHARBONNIER, Jean-Michel. Les Revelations de la Fiac '94, Beaux Arts Magazine, Fall 1994.

Editors. Sandy Skoglund at l'Espace d'Art Yvonamour Palix/ARCO, Art Fair Magazine, Winter 1994,vol.2,no.3,p.12.

Editors. (C.K.) Sandy Skoglund at Janet Border, Art News Magazine, Dec. 1994.

Editors. Calendar, Art Now/Art Fair Magazine, winter 1994, pp. 22-23.

Editors. New Acquisitions, At the Museum of the Los Angeles County Museum of Art, Apr. 1994, p. 5. Editors. Sandy Skoglund at Galerie Yvonamour Palix, Beaux Arts Magazine, Spain, 1994, p.31.

Editors. Art Reviews:Janet Borden Gallery, The Daily News, N.Y., N.Y., Sept. 17, 1994.


Editors. A Party Like None You've Ever Seen, Inside WSU, Wichita, Kansas, Jan. 19, 1994, p.8.

Editors. (P.V.) Sous le signe de la Faune et de la Flore: Sandy Skoglund, Les Informations Dieppoises, Apr. 15, 1994.

Editors. Art, The New Yorker, commissioned self-portrait for the magazine, Oct. 3, 1994, p.26.

Editors. Sandy Skoglund, The New Yorker , Sept. 19, 1994.

Editors. Dream Weavers, The Other Paper, Columbus, Ohio, Mar. 24-30, 1994, p.11.

Editors (A.C.). Mois de l'Image: du gros plan au tableau politique, Paris-Normandie, Apr. 11, 1994.

Editors. Eating Through Literature, Sun and Moon Press, Los Angeles, Calif., fall 1994.

Editors. Edible Art, Sunflower, Wichita State University, Jan. 21, 1994.

Editors. Foxy, Sunflower, Wichita State University, Jan. 19, 1994, p.2.

Editors. Reviews, compiled French press from FIAC '94, Sept.-Oct. 1994.

Editors. Reviews, compiled French press from group exhibit Flore et Faune, Dieppe, France, Apr.-May 1994.

ENTREKIN, Millie. In the Last Hour, Columbus Alive, Columbus, Ohio, Mar. 30- Apr. 6, 1994.

FERAN, Tim. The Arts: A Moment in Jam, The Columbus Dispatch, Columbus, Ohio, Mar. 24, 1994.

FOLKERSMA, Nina, REIJNDERS, Frank, COELEWI, Leontine. Babies & Bambies, catalogue for exhibition pub. by

Arti et Amicitiae, Amsterdam, The Netherlands, 1994.

HAGEN, Charles. Art Review: Around the House, The New York Times, Aug. 5, 1994, p.C19.

HAGEN, Charles. Art Review: Sandy Skoglund at Janet Borden Gallery, The New York Times, Sept. 23, 1994.

HUSER, France. Les Clins d'Oeil de la Fiac, Le Nouvel Observateur, Paris, France, Oct. 1994, p.112.

KEERAN, James. Sandy Skoglund, The Pantagraph, Normal, Ill.,Dec. 9, 1994, p.B1 & B11. KENYON, Theo Jean. The Green House Arrives at Lakeview, The Journal Star, Peoria, Ill., Dec. 2, 1994, p.B1 & B2.

LEWIS, Diane. Skoglund Works Explore Bizarre, The Wichita Eagle, Jan. 21, 1994, cover of sec.E and p. 3E.

LONDON, Barbara and UPTON, John. Photography: fifth edition, textbook pub. by Harper Collins College Publishers, N.Y., N.Y., p. 398, 1994.

LYONS, Channy. Beyond Blue Dogs:Artist Studies Culture From One Step Back, The Observer, Peoria, Ill., Dec. 14, 1994, p.A-16.

MECHSNER, Franz. Geschichten aus der Nacht, Geo Magazine, no.2, Feb. 1994, pp.4 and 16-21. Reprinted in Geo Korea no.4, 1994.

PALIX, Yvonamour. Foto-Ficcion: Sandy Skoglund, Tarazonafoto 1994, catalogue for exhib., Tarazona, Spain, 1994.

RADZIEWSKY, Dr. Elke. Sandy Skoglund, Architektur & Wohnen Magazine, Hamburg, Germany, July 1994.

RAGANS, Rosalind. Art Talk, textbook pub. by Glencoe of Macmillan/McGraw-Hill, Mission Hills, Calif., Spring 1994.

ROSENBLUM, Naomi. A History of Women Photographers, book pub. by Abbeville Press, N.Y.C., Fall 1994, pp.34,248,290,321,345,355.

TURNER, Tracy Zollinger. The Art of Total Control, The Columbus Guardian, May 11, 1994.

VALLONGO, Sally. Columbus Exhibits, The Toledo Blade, Toledo, Ohio, Mar. 27, 1994.

WALLACH, Amei. Rooms With Views, New York Newsday, N.Y., N.Y., Oct. 14, 1994, p.B4,B5.

WOLF, Sylvia. Focus:Five Women Photographers, book pub. by Albert Whitman & Co., Morton Grove, Ill., pp. 38-49 and cover.

YOE, Craig. The Art of Barbie, book pub. by Mattel Toys and Workman Publishing as a donation to the Foundation for Children Affected by AIDS, Sept. 1994, pp.29,119.


ALEXANDER, Kay and DAY, Michael. Learning to Look and Create: the Spectra Program, Innovative Learning Publications, Addison-Wesley Pub. Group, Menlo Park, Cal., 1993.

ARMITAGE, Diane. Critical Reflections: Sandy Skoglund, "THE" Magazine, Santa Fe, New Mexico, vol II, no. 4, Oct. 1993.

CARROLL, Patty. American-made: The New Still Life. catalogue, flyer, and poster; show originated by Isetan Museum of Art,Hokkaido, Japan; pub. by Japan Art and Culture Association, 1993.

DEAL, Darcy. Sandy Skoglund: Interview, "Q" Magazine: A Journal of Art, pub. by Cornell University, Ithaca, N.Y., spring 1993, pp. 21-23.

DOLGOFF, Stephanie. Photography's Regeneration: the impact of Aids, American Photo magazine, Mar./Apr. 1993, p.22.

DULOUT, Stephanie. L'Art En France, Museart Magazine, no. 34, p. 103.

Editors. Les Installations Comestibles de Sandy Skoglund, Actuel Magazine, Paris, France, no.34, Oct. 1993.

Editors. Rainbow Menagerie, The American newspaper, London, England, no.429, Oct. 8, 1993, p.5.

Editors. Sandy Skoglund, Art de Vivre, Paris, France, Oct. 6, 1993.

Editors. Smart Cats, Art Review Magazine, London, England, Oct. 1993, p.9.

Editors. Sandy Skoglund, Arts Program, no.6, Paris, France, Oct. 1993.

Editors. Nouveau Selon Nouvel, Connaissance des Arts Magazine, Paris, France, Oct. 1993.

Editors. Community Arts Calendar: Sandy Skoglund at the U. of North Texas, The Dallas Morning News, Sunday, Feb. 14, 1993, p.2C.


Editors. Sandy Skoglund:The Green House, Ten Years At Diverse Works, newsletter pub. by Diverse Works, Houston,Texas, Jan.-Feb 1993.

Editors. Reviews, Downtown, Madrid, Spain, Oct./Nov. 1993.          

Editors. Un E.S.C.P. Contemporain, ESCP Magazine, Paris, France, Nov. 1993.

Editors. Ze News, Galeries Magazine, Paris, France, Oct./Nov 1993, p.23.

Editors. Critics Choice, Isthmus: the Guide to Culture, Madison, Wisc., June 25, 1993.

Editors. A Bas de Bacon, Jardin des Modes, Paris, France, Oct. 1993.

Editors. Exposition, Joyce, Paris, France, Nov./Dec. 1993, p.46.

Editors. Inauguran la primera galeria mexicana de arte en Paris, Novedades, Mexico, June 30, 1993.

Editors. Inauguracion del Espace d'Art Yvonamour Palix, Paris/Mexico, Oct. 1993, p. 18.

Editors. Tetes d'Affiches, Paris Capitale, Oct. 1993.

Editors. Quoi de Neuf A Paris?, Paris Magazine, Sept. 1993, p.7.

Editors. Espace D'Art, P.P.S. News: Profession Photographe Studio News, Paris, France, no. 55, Oct. 1993.

Editors. A Breeze At Work: Sandy Skoglund, SECCA Quarterly Newsletter, vol.2, no.7, Spring 1993, cover and p.2.

Editors. Sandy Skoglund at Salama-Caro Gallery, Time Out Magazine, no. 1208, Oct. 13-20, 1993, p.49.

Editors. Paris En Parle, Vogue Magazine, French Edition, no.739, Sept. 1993.

Editors. Front Runners, What's On Magazine, London, England, Sept. 22, 1993, p. 5.

FUSCO, Tony. The Boston Scene, Art Business News, Aug. 1993, p.8.

GAESSLER, Dominique. Sandy Skoglund: des Bestioles et des Hommes, Photographies Magazine, Paris, France, no.53, Nov. 1993, pp. 28-31.

GODDARD, Dan. Skoglund Explores Fears of Middle Class, San Antonio Express News, San Antonio, Tex., Feb. 25,1993, p.1J,5J.

JOHNSON, Patricia. Dogged Fun:Art Review, Houston Chronicle, Houston, Tex., Jan. 8, 1993, pp. 1E,8E.

KELLEY, Mike. The Uncanny, catalogue for exhibition pub. for Sonsbeek '93 by Gemeentemuseum, Arnheim,The Netherlands, p. 34.

KOLB, Gary. Photographing in the Studio, book pub. by William C. Brown & Benchmark, Dubuque, Iowa, p.51,150, 1993.

KWOCK-SILVE, Sandra. Art News: Art Storms the Bastille, Paris Free Voice, Paris, France, Dec. 93-Jan.'94, p. 10.

LAMBIRTH, Andrew. Stars, Stripes, & Satellites, Galleries Magazine, London, England, Sept. 1993, cover and p.20.

LEWIS, Richard and Susan. The Power of Art, textbook pub. by Harcourt Brace College Publishers, Ft. Worth, Tex., 1993, ISBN # 0-15-502063-3.

LYNCH, Kevin. Eccentric Visions at the Madison Art Center, Arts:The Capital Times newspaper, Madison, Wisc., Jul. 8, 1993, p.1F,6F.

McCLURE, Richard. Sandy Skoglund, What's On Magazine, London, England, Oct. 6-13, 1993, p.25.

McQUAID, Cate. Close-Up:Sandy Skoglund, The Photographic Resource Center Newsletter, Boston, Mass., vol. 17 No. 2, Mar. 1993.

McQUAID, Cate. Cheese It, The Boston Phoenix, April 9, 1993.

MITCHELL, Charles Dee. Opening the Shutters:Skoglund Challenges Photographic Traditions, Art Review: The Dallas Morning News, Dallas, Tex. Feb. 18, 1993, p.C1,C2.

NORMAN, Tony. Cheese Doodle Art Packs A Satiric Bite, The Pittsburgh Post-Gazette, Nov. 10, 1993.

NURIDSANY, Michel. Un Peu de Soleil Dans L'eau Grise, Le Figaro, Paris, France, Sept. 14, 1993.

SCHWENDENWIEN, Jude. Sandy Skoglund: Interview, The Journal of Contemporary Art, vol.6, no.1, summer 1993, pp. 87-98.

SHEARIN, Margaret. Skoglund's Art Captivates On More Than One Level, The Triad newspaper, Winston-Salem, No. Carolina, July 28, 1993, p.12.

SALTZ, KIRSHNER, HIXSON, and BURNS. VIVID, catalogue pub. by Federico Motta Editore, Milan, Italy, 1993.

STAPEN, Nancy. Fun With Bacon and Cheese Curls, The Boston Globe, Boston, Mass., Apr. 13, 1993, p.63.

STAPEN, Nancy. Safety in Numbers, Town and Country Magazine, N.Y., N.Y., June 1993.

STOLT, Veronica. Sandy Skoglund, Nordst Jernan newspaper (The Swedish News) N.Y., N.Y., June 17, 1993, p.3.

TYSON, Janet. Worlds Overrun by Animals and Food: Photography Review, The Fort Worth Star-Telegram, Tuesday, Feb. 23, 1993, p.8.

TURCAT, Rafael. Food Environments: Interview with Sandy Skoglund, Tecnikart magazine, Paris, France, no.11, Oct.-Nov. 1993, p.54.

WADE, Melissa. Arts & Entertainment: Artist Transforms NT's Gallery, The North Texas Daily, Wed., Feb. 10, 1993.

WILLIAMS, Kent. Brain Teasers:John Wilde and Sandy Skoglund, Visual Art:Isthmus:the Guide to Culture, Madison, Wisc., Jul. 9, 1993, p. 30.


AFLALO, Agnes. Couverture:Sandy Skoglund, Fox Games, La Cause Freudienne, no. 22, Oct. 1992.

ALETTI, Vince. Voice Choices: Photo, The Village Voice, N.Y., N.Y., June 9, 1992, vol. xxxvii, no. 23, p.76.

AMMANN, Ludwig. Kreationen mit der Kamera, Badische Zeitung, Germany, June 19, 1992, no. 130, p. 15.

ANDION, Margarita Ledo. Dones Amb Camera, Avui, Spain, Apr. 15, 1992.

BADIA, Montse. La Realitat Amenacada, Avui Art: Primavera Fotografica 1992, Barcelona, Spain, Apr. 15,1992, p.5.

BALSELLS, David. Primavera Fotografica, Fundacio la Caixa de Catalunya, Department deCultura, Barcelona, Spain,1992, pp. 40, 41.

BARRI, Pedro N. La Realidad de un Sueno, El Libro De La Sexualidad, Spain, p. 340-343.

BRANDENBURG, John. Chronicle of Photographer/Sculptor's Work Arresting, Art Review: The Daily Oklahoman, Oct. 16, 1992, p. 3.

BRO, Lu. Figure and Form, vol. I and vol. II, college textbook pub. by William C. Brown Publishers, Dubuque, Iowa, 1992, p.48, ISBN# vol. I 0697-03059-8, vol. II 0697-13757-0.

BROWN, Theresa D. Have a Seat With 32 Multicolored Dogs, Art Review: The St. Petersburg Times, St. Petersburg,Fla., Jan. 16, 1992, pp.1,3.

BUENO, Pepa. A Traves de la Fotografia, Elle Magazine (Spanish edition), May 1992.

BUFILL, Juan. La Primavera Fotografica, ABC magazine, May 22, 1992. [reprinted in ABC de Sevilla]. Barcelona, Spain.

BUSSE, Xenia. Fotos, si!, El Temps, Barcelona, Spain, May 4, 1992.

CALDERON, Manuel. Criticos en Busca de la Nueva Imagen, El Guia, Barcelona, Spain, Apr.- May, 1992, pp.44-47.

CASAS, Enric. Contactar i Interferir la Realitat, Regio, Barcelona, Spain, May 17, 1992.

CHESS, Caron and WARTENBERG, Daniel. Risky Business:The Inexact Art of Hazard Assessment, The Sciences Magazine, N.Y., N.Y., Mar./Apr. 1992. pp.20,21.

COLE, Elizabeth, Fantasy Environments: The Tableau Photography of Sandy Skoglund, School Arts Magazine, Jan. 1992, pp.23-26.

DAVIS, Zina. Investigations in Perception, pub. by Univ. of Hartford, Hartford School of Art, West Hartford, Conn. 1991

DEBRAINE, Luc. Convalescent, le Marche de l’Art Tente de Se Refaire une Sante a Bale, Le Nouveau Quotidien, Paris, France, June 20, 1992, p. 19.

DISTER, Alain. Au Pays des Merveilles de Sandy Skoglund, Le Nouvel Observateur magazine, Paris, France, June 4-10, 1992, p.I.

DULLEA, Georgia. Heel! Sit! Buy Some Art, The New York Times, Oct. 11, 1992, Styles of the Times section.

Editors. The Green House by Sandy Skoglund, Art Muse (Member’s Newsletter, Tampa Museum of Art), Tampa, Florida,Dec./Jan. 1991-92, p.7.

Editors. Skoglund’s Eerie World, Aspen Times, Aspen, Colo.,July 11 - 12, 1992, pp. 5B,7B, 26-B.

Editors. Europa y la Mujer, Ejes Tematicos de la Sexta Edicion de la Primavera Fotografica, Avui, Barcelona, Spain, Feb. 5, 1992.

Editors. Una Primavera de Foto, Biba, Barcelona, Spain, May 1992.

Editors. Invasion der Gipskatzen, Darmstadter Echo, Germany, Jan. 28, 1992.

Editors. Art in the Heart of the City (auction catalogue), Denver Art Museum, Denver, Colo., Feb. 1992.

Editors. Sandy Skoglund, Diari de Barcelona, Barcelona, Spain, May 30, 1992.

Editors. Sala Catalunya de la Fundacio La Caixa, El Observador,Barcelona, Spain, 11 May, 1992.

Editors.(C.S.) La Primavera Fotografica Reclama una Critica Especializada, El Pais newspaper, Madrid, Spain, Apr. 8, 1992.

Editors. Juan Hidalgo, Sandy Skoglund, Otho Lloyd, El Punto de las Artes, Barcelona, Spain, May 7, 1992.

Editors. Aus den Fugen: Sandy Skoglund’s Installationen, Frankfurter Allgemeine Zeitung, Frankfurt, Germany, Jan. 29, 1992.

Editors. Sandy Skoglund, Frankfurter Rundschau, Frankfurt, Germany, Jan. 28, 1992.

Editors. Sandy Skoglund, brochure for exhibition at the Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Oklahoma, Sept. 1992.

Editors. Sandy Skoglund, GAP DEUX Global Magazine for Women, # 32, Tokyo, Japan, Autumn, 1992, p. 32.

Editors. Sandy Skoglund at Diverse Works, The Houston Post, Houston, Tex., Dec. 13, 1992, p. H13.

Editors. Art 23’92 : Die International Kunstmesse, (exhibition catalog)In den Hallen der Messe Basel, Switzerland, 1992, p.12, pp.468-469.

Editors. Beard Greenhouse Features the Photographic Works of Sandy Skoglund, James Beard Foundation Newsletter, N.Y., N.Y., vol. 6 no. 11, Nov. 1992.

Editors.(J.O.) Sandy Skoglund, La Esfera, Barcelona, Spain, April 1992.

Editors. Sandy Skoglund at Sala Catalunya, Fundacio la Caixa, brochure for lecture, pub. by L'Institut d'Estudis Nord-americans, Barcelona, Spain, April 29, 1992.

Editors. Kunstmesse Ohne Ostlander, Luzerner Zeitung, Lucerne, Switzerland, June 19, 1992.

Editors.(m.k.) Radioaktive Katzen, Main-Echo, Germany, Jan. 20, 1992.

Editors. Skoglund’s Two Art Shows Among 4  Opening at OU, The Norman Transcript, Norman, Okla., Sept. 18, 1992, cover (Focus section), p. 6A.

Editors. Offbeat Photo Show Opens, The Norman Transcript, Norman, Okla.,Sept 25, 1992, p.26A.

Editors. Sandy Skoglund, Panorama Fundacio la Caixa, Barcelona, Spain, May 1992,p. 5.

Editors. Fliegende, Prinz, Germany, Feb. 1992

Editors. La Fotografia la Sang Altera, Punt Diari, Barcelona, Spain, Apr. 19,1992.

Editors. La Sala Catalunya Exposa l’Obra de Sandy Skoglund, Punt Diari, Barcelona, Spain, May 19, 1992.

Editors. Une Exposition Parmi d’Autres; Art 23: Sandy Skoglund a la galerie Zur Stockeregg, Schweizerische Photorundschau, Basel, Switzerland, July 1992, p.29.

Editors. Materiale Imaginario, Radioactive Cats, SFERA Magazine, Rome, Italy, #31, Dec., 1992.

Editors. Modri Psi (Album:Sandy Skoglund), Spolecensky Tydenik, Czechoslovakia, #37, 1992.

Editors. Fotografia, Vivir in Barcelona, Barcelona, Spain, May 1992.

Editors. Framed: The Best Picks for Pictures, Washington Flyer magazine, Wash. D.C., Mar./Apr. 1992, p. 24,25.

Editors. Ausstellungen-Messen, Zuri-Kalander, Zurich, Switzerland, June 12-18, 1992.

Editors. Compiled French press from solo exhibit at L'Espace Photographique de la Ville de Paris, June 10-Aug. 2, 1992.

BASTIN, Pierre. Installez-vous. Les fictions de la realite de Sandy Skoglund, La Wallonie, Media scope section, July 3, 1992.

DESSOLAS, Germain. Sandy Skoglund Photographies, Expositions, Maisons de France, Paris, France, # 214, Aug., 1992, p. 5.

Editors. Sandy Skoglund, Aladin Magazine, Paris, France, July-Aug., 1992.

Editors. Sandy Skoglund, Bon A Tirer, Paris, France, July-Aug., 1992.

Editors. Sandy Skoglund, Connaissance des Arts, Paris, France, June, July, Aug., 1992.

Editors. Sandy Skoglund, Graphic Studio Magazine, Paris, France, Sept., 1992.

Editors. Exposition Vraies-Fausses Photos, Humanite, Paris, France, # 117, Oct. 11, 1992, p.65.

Editors. Regards:Sandy Skoglund, Jardin des Modes, Paris, France, Aug., 1992.

Editors. Sandy Skoglund, Le Journal du Jeune Practicien, Paris, France, July 6, 1992, p. 15.

Editors. Sandy Skoglund, Le Monde, Paris, France, June 25,26,and July 2,3, 1992.

Editors. Photo:Une expo-photo pas comme les autres, Le Parisien, Paris, France, June 15, 1992.

Editors. Le bric-a-brac de Sandy Skoglund, Le Quotidien de Paris, Paris, France, June 25, 1992.

Editors. Exposition:Sandy Skoglund photographe americaine, Le Quotidien de Paris, Paris, France, July 17, 1992.

Editors. Roman Photo:Sandy Skoglund, Liberation, Paris, France, June 20, 1992.

Editors. Sandy Skoglund, Museart, Paris, France, June 1992.

Editors. Les Montages de Sandy Skoglund, Parcours Magazine, Paris, France, June 1992, p. 122.

Editors. Fliegende Fische, Pariser Luft Magazine, Germany, Feb./Mar. 1992, p. 14.

Editors. Sandy Skoglund, Paris le Journal, Paris, France, July 15, 1992.

Editors. Sandy Skoglund l'Annee Americaine, Photo/Magazine, Paris, France, June 1992.

Editors. Sandy Skoglund, Photo News, Paris, France, Aug. 1992, p. 20.

Editors. Sandy Skoglund, Photo Reporter, Paris, France, Sept., 1992.

Editors. Sandy Skoglund, Profession Photographe:News, Paris, France, Aug., 1992.

FRANCOIS, Alain-Henri. Paris report:Espace Photographique de la Ville de Paris:Sandy Skoglund, Voir:le Magazine des Arts, Paris, France, Sept., 1992.

GUERRIN, Michel. Photographie:L'Intrusion du fantastique:Retrospective d'un auteur inclassable: Sandy  Skoglund, Le Monde, Paris, France, July 6, 1992.

ESTEVEZ, Isidre. Sandy Skoglund:L’Art ha de crear sempre una certa intranquil litat , Diari de Barcelona, Barcelona, Spain, Apr. 28, 1992.

ESTEVEZ, Isidre. La Primavera Fotografica Floreix Durant Un Mes Per Tot Catalunya, Diari de Barcelona, Barcelona, Spain, Apr. 22, 1992.

EYGUESIER, Jean-Luc. Requiem Pour un Viaduc, Le Figaro Defense, June 30,1992, p.8.

FABER-CASTELL, Christian. Kunst wird zum Kreditgeschaft, Finanz und Wirtschaft/Kunstmarkt, Germany, June 24, 1992, p. 29.

FONTOVA, Rosario. Barcelona, Capital de la Fotografia Durante dos Meses, El Periodico, Barcelona, Spain, Apr. 20, 1992.

FONTOVA, Rosario. Sandy Skoglund Utiliza la Fotografia como Medio de Critica Social, El Periodico, Apr. 30, 1992.

FONTRODONA, Oscar. Sandy Skoglund: Mis personajes son visitantes temporales de su proprio mundo, ABC, Barcelona, Spain, Apr. 26,1992.

FRISACH, Montse. L’Artista Sandy Skoglund Presenta les seves Fotografies Inquietants a Barcelona, Avui, Barcelona, Spain, Apr. 28, 1992.

FRISACH, Montse. La Primavera Fotografica 1992 Vol Fomentar l’Interes dels Critics i Institucions, Avui, Barcelona, Spain, Mar. 1, 1992.

GERLIN, Andrea. Art Critics Won’t Be Able to Say That These Works Are Below Par, The Wall Street Journal, N.Y., N.Y., June 23, 1992.

GILI, Marta. La Fotografia, un Important Mitja de Creacio Artistica i Alhora Documental, Panorama, Spain, Apr. 1992, p. 2.

GIMELSON, Deborah. The Green House, Aspen Magazine, Aspen, Colo., midsummer 1992, pp. 67-68, 99.

GRECO, Stephen. Putt-Modernism, Interview Magazine, N.Y., N.Y., Aug. 1992, p.16.

GREWING, Colleen. Photography Exhibits, Where/Washington, Wash., D. C., Mar. 1992, pp.8,9.

HAGEN, Charles. Art in Review:Sandy Skoglund, The New York Times, Oct. 23, 1992, p. C28.

HOROWITZ, Frederick A., More Than You See: A Guide to Art, book Harcourt Brace Jovanovich, Inc., Ft. Worth, Texas, 1992, p. 140.

HOMMEL, Bill. Art Reviews, The Oklahoma Gazette, Oct. 8, 1992, p. 23.

INDIANA, Gary. Home, Aperture, N.Y., N.Y., no. 127, Our Town, Spring 1992, p.57.

KALIL, Susie. Pop Goes the Country:Two Diverse Works Installations Reflect On America's Consumer-driven, Media-soaked Culture, The Houston Press, Houston, Texas, Dec. 31, 1992, p. 25.

KIHN, Martin. Modern Art Course, New York Magazine, N.Y., N.Y., Aug. 3, 1992, p. 23.

KOETZLE, Michael. Portrat Tierische Zeiten, German Vogue Magazine, Feb. 1992, pp.104-105.

KOETZLE, Michael. Invasion der Eichhornchen, Photo Technik International Magazine, Germany, Jan./Feb. 1992, pp. 18-25. reprinted as Invasion of the Squirrels, Photo Technique International English edition, Feb. 1992, pp. 44-51.

KOHEN, Helen L. Rooms With A View, The Miami Herald, Miami, Fla., Apr. 11, 1992, pp.1E,2E.

MARCO, Luis Miguel. Suenos Fosforescentes, El Periodico, Barcelona, Spain, Apr. 19, 1992, pp. 20-23.

MAUGARD, Alain and SAYAG, Alain. Arret sur viaduc, L’Espace Art Defense, Galerie Art 4, Paris la Defense, France; catalogue: 1992.

MICUCCI, Dana. N.Y.’s Photo Focus: Museums Confer Status as Art Form, International Herald Tribune, Apr. 25-26, 1992. p. 8.

MONREAL, Lluis. Introduction, Sandy Skoglund, Fundacio la Caixa, (catalogue), Barcelona, Spain, 1992, pp. 8-9.

MONTEROSSO, Jean-Luc. Interview, Camera International, American Edition, No. 12, Winter 1992.

NAGLE, Geraldine. The Arts:World Themes, college textbook pub. by Wm. C. Brown/Times-Mirror Publishers,Dubuque, Iowa, 1992, p.145,146,351,,ISBN #0697120481.

PICAZO, Gloria. Paradoxes of Photography-On the Work of Sandy Skoglund, Fundacio la Caixa catalogue, pp. 97-99.Reprinted in catalogue for show at L’Espace Photographique de la Ville de Paris, Paris Audiovisuel, Paris, France, 1992.

PICAZO, Gloria. Sandy Skoglund: Posar Trampes a la Realitat, Primavera Fotografica 1992,

Generalitat de Catalunya, Departament de Cultura, Spain, 1992, pp. 40-41, 178-179.

PINVOL, Theresa. Els Muntatges Fotografics de Sandy Skoglund, Diari de Barcelona, Barcelona, Spain, May 3, 1992, pp. 25-27.

PIWECKI, Kristina. Krasse Kontraste-einzig-Art-ig, Schweizer Handelszeitung, Basel, Switz., no. 25, June 18, 1992, p. 41.

PLANELLA, Merce. Calificara la Fotografia de Arte Democratico es una Solemne Tonteria, ABC, Barcelona, Spain, Mar. 7, 1992.

RAVEN, Arlene. In the Last Hour, catalogue for exhibition pub. by the Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Oklahoma, 1992.

REMER, Abby and TISHMAN, Shari. The Thinking Teacher's Guide to the Visual Arts, by Learning Designs, A Companion Guide for the PBS Series, Behind the Scenes, Sept. 1992.

RIBALTA, Jorge. Una Diferencia con Escasa Relevancia Aristica, La Vanguardia, Spain, Apr. 21, 1992.

RIGOL, Josep. Un Integrador Punto de Encuentro, La Vanguardia, Spain, Apr. 21, 1992.

ROEGIERS, Patrick. Color and Terror in the Monochrome World of Sandy Skoglund, Fundacio la Caixa catalogue, Barcelona, Spain, 1992, pp. 95,96. Reprinted in catalogue for show at L’Espace Photographique de la Ville de Paris, Paris Audiovisuel, Paris, France, 1992.

ROEGIERS, Patrick. Sandy Skoglund: du Syndrome de la Sucromanie, Art Press,Paris, France, July/Aug. 1992, no. 171, pp. 43-45.

ROEGIERS, Patrick. Un Autre Monde Avec Sandy Skoglund, Photographies Magazine, Paris, France, June 1992,pp. 30-34.

ROGERS, Millard F. A Selection of New Acquisitions 1990-92, Cincinnati Art Museum, Cincinnati, Ohio, catalogue published by the museum, August 1992.

ROSE, Matthew. Playing a Round in TriBeCa, The New York Times, N.Y., N.Y., July 26, 1992.

SAYAG, Alain. Arret Sur Viaduc, catalogue for exhibition pub. by Espace d'Art de La Defense, Paris, France, 1992.

SCHWENDENWIEN, Jude. Cravings:Food Into Sculpture, Sculpture Magazine, Nov.-Dec.1992, pp. 44-49.

SCHWENDENWIEN, Jude. Regional Reviews: Investigations In Photography: Sandy Skoglund and John Coplans, Art New England, June/July 1992, p. 36.

SISCHY, Ingrid. Photography: Food for Thought, The New Yorker Magazine, N.Y., N.Y., Oct. 19, 1992, p.22.      

SKOGLUND, Sandy. Spirituality In The Flesh, A Project For Artforum, Artforum Magazine, Feb. 1992, pp. 72-73.

SMITH, Lisa. Skoglund, Gottlieb Shows Bring Unusual Art to Norman, The Oklahoma Gazette, Sept. 24, 1992, p. 23.

SMOKE, Joe. LACPS Seventh Annual Auction, catalogue for benefit auction at the Los Angeles Ctr. for Photographic Studies, cover and p. 27, 1992.

SPIEGEL, Olga. En los ‘Gatos Radiactivos’ hay un Elemento de Terror, Pero Tambien un ImpactoVisual, La Vanguardia, Barcelona, Spain, Apr. 28, 1992.

STUDER, Margaret. Art Market’s Peak Days Are Over, but Basel Fair Colors a Brighter Picture, The Wall Street Journal Europe, June 25, 1992, p.9.Reprinted as A New Breed of Art Lover Finds Bargains, The Wall Street Journal, June 26, 1992, p. A7E.

TALLMER, Jerry. Jerry Plays Golf, The New York Post, Aug. 21, 1992, p. 32

UBERQUOI, Marie-Claire. Dues Postures Oposades per Afrontar l’Acte Fotografic, Primavera Fotografica, Barcelona, Spain, May 7, 1992.

VIDAL, Jaume. El Papel de la Critica, la Mujer y Europa, Temas de la Primavera Fotografica, El Observador, Barcelona, Spain, Mar. 9, 1992.

WALLACH, Amei. The Thinking Person’s Link, N.Y. Newsday, N.Y., N.Y., July 31, 1992, p. 57.

WILSON, Jane. Skoglund Installations Meant To Jolt Us Out of Our Normalcy, The Aspen Times, July 18-19,1992, p. 10-B.

WOLFF, Thomas A. Heiter bis Nerving, Frankfurter Rundschau, Frankfurt, Germany, 1992.


AREY, Norman and WOODHAM, Martha. Peach Buzz: Dog-Gone Art, The Atlanta Journal and Constitution,Feb. 10, 1991, P. B1.

BECKER, Michael. Wahn Im Wohnzimmes, Erlanger Nachrichten Tagblatt, Erlangen, Germany, Aug. 2, 1991, no. 177, p.21.

BUTTERFIELD, Jan and RUSH, Susan.The Art Collection of Pacific Enterprises, catalogue pub. by Pacific Enterprises Corporation, L. A.,Calif., 1991. pp.12, 39, 58, 94, 232-233.

CERRATO, Giuseppe. Von Galerie Zu Galerie, Schweizer Illustrierte, Switzerland, Dec. 1991, p.109.

COMBET, Nadine (in collaboration with Max-Henri de LARMINAT). Revelateur: Feuilles et Feuillages, Centre Georges Pompidou, Paris, France, May 1991.

DAVIS, Keith F. 1991 Acquistions: The Hallmark Photographic Collection, catalogue pub. by  Hallmark, Inc., Kansas City, Missouri, cover and pp 5 and 9.

Editors. Sandy Skoglund, Abendzeitung/Nurnberg, Nuremburg, Germany, Aug. 10,11, 1991.

Editors. Sandy Skoglund: Messe in Scena Fotographiche, Agora, Barcelona, Spain, Nov. 27, 1991,no. 48, p. 48.

Editors. Art-Lexikon Zeitgenossischer Kunstler, Art: Das Kunstmagazin, Germany, Feb. 1991.

Editors. Fotografia American del Segle XX, catalogue for exhibit from collection of Center for Creative Photography, Univ. of Arizona, Tucson, Arizona, pub. by Centre Cultural de la Fundacio la Caixa, Barcelona, Spain, pp.8,9.

Editors. Heath English Grade 10, textbook pub. by D.C.Heath and Co., Lexington, Mass., 1991, p. 275.

Editors. Sandy Skoglund:Erst Erlanger, dann Paris und Barcelona, Erlanger Nachrichten, Erlangen, Germany, Aug. 14, 1991.

Editors. Fotografie als Investment, Forbes Magazine (German edition), May 1991, pp. 8,116,117.

Editors. La Fotografia, un Instant Privilegiat, pub. by Fundacio la Caixa, Barcelona, Spain, 1991, p. 8.

Editors. McDougal, Littell English Composition Textbook, Grade 11, pub. by The Mazer Corporation, Dayton, Ohio, 1991, p. 599.

Editors. The Writer's Craft:Idea to Expression, Grade 12, textbook pub. by McDougal, Littell & Co., Evanston, Ill., 1991, p. 334.

Editors. Auslich Idyllen-mit Fuchsen Und, Mittelbayes Zeitung, Germany, Aug.16, 1991.

Editors. Sandy Skoglund, Nikkei Art Magazine, Dec. 1991, Japan, pp. 61-66.

Editors. Goldfische im Schlafzimmer, NZ/Erlanger, Erlangen, Germany, Aug. 8, 1991.

Editors. Photographers Named to Art School's Koopman Chair, University of Hartford Observer, May 16, 1991.

Editors. Verschroben-surreal, Zuri-tip, Zurich, Switzerland, Nov. 29, 1991. p.11.

FINDSEN, Owen. Artist Has Tale Behind Blue Squirrels, The Cincinnati Enquirer, Cincinnati, Ohio,June 9, 1991, pp. 1-7.

FISCHER, Karl Manfred. Sandy Skoglund, Die Union, Erlangen, Germany, Aug. 10,11, 1991.

FOERSTNER, Abigail. Skoglund Fills Complex Spaces with Detailed Fantasies, Chicago Tribune, Chicago, Ill.,April 26, 1991, Section 7, p.77.

FOX, Catherine. Grand Illusions, The Atlanta Journal and Constitution, Atlanta, Georgia,

Feb. 17, 1991, p.Nl & NII.

GELOVER, Cheryl. Sandy Skoglund, brochure with text by Gelover for exhibit at the Temple Art Gallery, pub. by Tyler School of Art, Philadelphia, Penn., 1991.

GETTY, Clive. Art Review: Gathering Paradise, Carl Solway Gallery, Cincinnati, Dialogue Magazine, Columbus, Ohio, Sept./Oct. 1991.

GLASBERG, Eve. Gallery Hopping in Manhattan, Travel & Leisure Magazine, N.Y., N.Y., July 1991, p.19.

GIOIA, Joe. On the Art Beat: Who to Collect, American Photo Magazine, May - June 1991.

GUISAN, Isabelle. Chambres Hantees, Le Nouvel Quotidien, Paris, France, Dec. 4, 1991.

HANDY, Ellen. Sandy Skoglund at P.P.O.W., Art in America, N.Y., N.Y., Nov. 1991.

HAUS, Mary. A Little Bit Normal, Mirabella Magazine, N.Y., N.Y., Sept. 1991, pp.64.

HEIMRATH, Gerhard. Nervenkitzel im Horror-Disneyland, Abenzeitung/Nurnberg, Nuremburg,

Germany, Aug. 3,4, 1991.

HOBBS, Jack A. Art in Context, Fourth Edition, college textbook pub. by Harcourt Brace Jovanovich, Inc., San Diego, Calif., 1991, figure 5-18.

HOWE, Jennifer. A Frozen Slice of Imagination, Kansas City Star, Kansas City, Missouri, July 15, 1991, pp.Dl, D6.

JONES, Richard(ed.). Sandy Skoglund Portfolio , Poetry East Magazine, DePaul Univ. Press, Chicago, Ill., no. 32, Fall 1991, pp. 67-79,171.

KIRSHENBLATT-GIMBLETT, Barbara. Who's Bad? Accounting for Taste, Artforum Magazine, N.Y., N.Y.,Nov. 1991, p.123.

KOEPPEL, Fredric. Broken Rules, The Appeal, Memphis, Tenn., Sept. 12, 1991, pp. C1-2.

LABELL, Paul. Art For Children's Survival, catalogue for UNICEF benefit auction pub. by Sotheby's, N.Y., N.Y., 1991.

MAJURE, Janet. Art Journal: Green House Startles with Images, Colors, The Kansas City Star, Kansas City, Missouri, June 16, 1991, p. H7.

MANDELL, Margery. Developing Art, Sphere, (Sabena In-Flight magazine) April 1991, pp. 30-36.

MASON, M.S. The Quick (Gray) Fox Jumped Over the..., Christian Science Monitor, June 10, 1991, Art section.

McCRACKEN, David. Art Reviews, Chicago Tribune, May 17, 1991, section 7, p.66.

McNALLY, Owen. Still-Life Patio Scene Invites Viewers to Test Perceptions, The Hartford Courant, Hartford, Conn.,Nov. 24, 1991, pp.Gl & G4.

MILLHAUSER, Steven. The Barnum Museum, japanese translation, Tuttle-Mon Agency, Inc.,Tokyo, Japan, 1990. (Cover).

PEARSON, Deanne. Green Dreams, Pitch, July 17-23, 1991, p.17.

RAVEN, Arlene. Flood Tide, The Village Voice, N.Y., N.Y., Sept. 24, 1991, p.9C.

RAYNOR, Vivien. Exhibitions Examine Human Anatomy and Human Folly, New York Times N.Y., N.Y., Dec.15, 1991, Arts sec. p.30.

RICHARDSON, Nan. Sandy Skoglund: Wild at Heart, Art News Magazine, N.Y., N.Y., Apr. 1991, pp.115-119.

ROSEN, Steven. Contemporary Works Connect: Denver Art Museum Show Outspoken, The Denver Post, Denver,Colo., Apr. 26, 1991, pp. 1E,2E.

SCHUNK-ASSENMACHER, Dietlinde. Und das Unbehagen bleibt, Frankischer TAC Bamberg, Germany, Aug. 19, 1991.

SCHWAUB, Martin. Die Welt im Schaufenster: Zwei Wirklichkeiten, Tages-Anzeiger,Germany, Dec. 20, 1991.

SCIME, Guiliana. Lo Specchio/Infidele, catalogue for exhibition pub. by Padiglione d'Arte Contemporanea, Milan, Italy, March 1991, Cover and pp. 55-58.

TAKANO, Ikuro. Camera Freeze: New Wave Photography, Japan Avenue Magazine, Japan, Apr./May 1991,pp. 80, 81, 104.

TALLEY, Dan. Photo-nominal '91, catalogue for juried exhibition pub. by Forum Gallery, Jamestown, N.Y., 1991.

TALLMER, Jerry. Sweet Spell of Excess, N.Y. Post Weekend Section, N.Y., N.Y., Sept. 6, 1991.

WEINSTEIN, Michael. Sandy Skoglund, Chicago News and Art Weekly , May 16-22, 1991.

WESTERBECK, Colin. The Intuitive Eye: Photographs from the David C. and Sarajean Ruttenberg Collection, catalog The Art Institute of Chicago, Chicago, Illinois, 1991.

WISE, Kelly. Fantasies, Fables Kindles the Imagination, The Boston Globe, Boston, Mass., Mar. 23, 1991, p.14.

WOLIN, Joseph R. Sandy Skoglund:PPOW, New York, Artscribe Magazine, N.Y., N.Y., Nov./Dec. 1991, p.99.

YUAN, Angie. Photos of ‘Fantasies, Fables, and Fabrications’ Explores Style of ‘80’s, Boston Daily News, Mar. 6, 1991, pp. 5,14.


ARGINTEAU, Judy. Slices of Unreal Life: The Walker's Photography of Invention Exhibit, Twin Cities Reader, Minneapolis, Minn., July 4-10, 1990.

BARRETT, Nancy. Inspired Visions: 1840-1990, Master Photographs from the New Orleans Museum of Art, catalogue

pub. by New Orleans Museum of Art, New Orleans,Louisiana, 1990.

CAMERON, Dan. In the Absence of Persuasion, essay in catalogue for exhibition 'To Be and Not To Be' pub. by Primavera Fotografica, Barcelona, Spain, 1990.

CARUSO, Laura. Foxes Provide Fables at Museum, Boulder Daily Camera, Boulder, Colo., June 10, 1990.

CYPHERS, Peggy. Reviews: Sandy Skoglund, Arts Magazine, N.Y., N.Y., Dec. 1990, p.99.

DICKINSON, Carol. Foxes Frolic in Artist’s Exhibit, Rocky Mountain News, June 15, 1990, p.13-W,15-W.

DORSEY, John. Skoglund Deals With Issues of Both Form and Content, The Baltimore Sun, Baltimore, Md., June 1990, pp.1F, 5F.

Editors. Subversion Visual, AJOBLANCO, Madrid, Spain, no. 21-22, Dec. 1989-Jan. 1990.

Editors. Denver: Fox Games, Colorado Homes and Lifestyles, Denver, Colo., May/June 1990, p.11.

Editors. Primavera Fotografica 1990, Cultura, Spain, April 24, 1990, p.1.

Editors. What’s Happening, Denver Herald-Dispatch, Denver, Colo., June 14, 1990.

Editors. Sandy Skoglund , Denver Up The Creek, Denver, Colo., June 8, 1990, p.13.

Editors. Fox Games, The Denver Post, Denver, Colorado, June 1, 1990.

Editors. Saturday, June 2, Denver Westworld, Denver, Colo., May 30-June 5, 1990, p.37.

Editors. Skoglund Premiere at Denver Museum, Fort Collins Review, Ft. Collins, Colo., May 24, 1990.

Editors.Versand Katalog 2, catalogue for art books pub. by Frolich & Kaufmann, Berlin, Germany, cover, 1990.

Editors. Fox Games premieres, Greeley Tribune, Greeley, Colo., April 26, 1990.

Editors. Art in the Streets, Icon, Denver, Colo., June 1990, (cover).

Editors. Sandy Skoglund, Image Climate Forecast, Tokyo, Japan, summer 1990, no. 11.

Editors. Sandy Skoglund  IS 49 Panoramic Magazine, Toyko, Japan, 1990.

Editors. Argomenti, L'Espresso Magazine, Italy, July 1990, p. 135.

Editors. Fox Games exhibit opens on June 2 in Denver Museum, Longmont Daily Times, Longmont, Colo., May 6, 1990.

Editors. A Show of Support, The Los Angeles Times Sunday Magazine, L. A., Calif., Mar. 4, 1990, p.22.

Editors. Photography, The New Yorker Magazine, N.Y., N.Y., Sept. 17, 1990, p.20.

Editors. On Galleries, The Philadelphia Inquirer, Phila., Penn., Dec. 6, 1990, p. 4E.

Editors. La Primavera de Barcelone, Photographies Magazine, Paris, France, no.22, May 1990, p.71.

Editors. Listings: Denver Art Museum, Photo Metro, Denver, Colo., July 1990, p.30.

Editors. Fox Games by Sandy Skoglund, Poetry East Magazine, pub. by De Paul Univ. Press, Chicago, Ill., Spring 1990,no. 29, p.172.

Editors. Museums and Galleries, Quest, June 1990, pp.7-8.

Editors. Sandy Skoglund, Green House, Subaru Monthly, Japan, Nov. 1991, no. 11.

Editors. Reviews, compiled press from Walker Art Center, The Photography of Invention exhibition, June-Aug. 1990.

Editors. Reviews, compiled Japanese press from solo exhibit at PARCO Gallery, Tokyo, Japan, Aug. 3-22, 1990.

Editors. Sandy Skoglund, Asaiti Graph, Japan, Aug. 17, 1990.

Editors. Snap Shot, Commercial Photo, Japan, Sept. 1990, p.76.

Editors. Sandy Skoglund , Keko To Manabu, Japan, Sept. 1990, p. 8.

Editors. Sandy Skoglund, Moniave, Japan, Sept. 1990.

Editors. Sandy Skoglund , Olive, Japan, Aug. 18, 1990.

Editors. Sandy Skoglund, Salida, Japan, vol. 51, Aug. 10, 1990.

Editors. Reviews, compiled German press from traveling group exhibition, Das konstruierte Bild, 1989-1990.

BRODER, F.J. Eine Sperrige Schau, Donau-Kurier, Germany, Feb. 24-25, 1990.

BRODER, F.J. Objectives Objectiv?, Nordbaufrigche Tageszeitung, Germany, Feb. 27, 1990.

FENN, Walter. Montierte Wirklichkeit, NN, Germany, March 23, 1990.

WIESE, Klaus Martin. Schwindelanfall in Bilderflut, A. Zeitung, Germany, Feb. 23, 1990.

Editors. Reviews, compiled Spanish and Catalan press from group exhibit To Be and Not to Be at the Centre d'Arte, Barcelona, Spain, 1990.

BARTOLOME, Carlos. Primavera Fotografica: la Seduccion de la Imagen, Economics, Apr. 1990.

BENACH, M. Rosa. El Ser o No Ser de la Fotografia Actual, La Vanguardia, Barcelona, Spain, May 24, 1990.

BOSCH, Gloria . Que Es i Que No Es: To Be and Not To Be, ESPAIS-Papers d’Art, Barcelona, Spain, no.4, June 1990.

CARDENAL, A. Molinero. Primavera Fotografica 1990, Revista Marte, Barcelona, Spain, Apr. 1990.

Editors. Primavera Fotografica, ABC, Barcelona, Spain, Apr. 26, 1990.

Editors. Barcelona: Mas de Sesenta Exposiciones in la Primavera Fotografica, ABC Sevilla, Seville, Spain,May 1, 1990.

Editors. 60 Muestras Forman la Quinta Edicion de la Primavera Fotografica 1990, Aitoaragon, Barcelona, Spain, Apr. 24, 1990.

Editors. To Be And Not To Be: El Ser i No Ser de la Fotografica 1990, Art, Madrid, Spain, Apr. 25, 1990.

Editors. El Ser i No Ser de la Fotograficia, Avui, Barcelona, Spain, Apr. 24, 1990.

Editors. Mes de 60 Mostres a la Vedicio ‘Primavera Fotografica 1990’, Diari de Lleida, Barcelona, Spain, Apr. 24, 1990.

Editors 200 Artistas Participan en la Primavera Fotografica de Cataluna, El Pais, Madrid, Spain, Apr. 24, 1990.

Editors. Primavera Fotografica a Catalunya, El Temps, Spain, April 23, 1990, pp. 53-55.

Editors. Panorama, Foto Video, April 20, 1990.

Editors. La Fotografica en Relacion a las Demas Artes, La Fotografia, Barcelona, Spain, no. 11, 1990, p. 6.

Editors. Interaction..., La Primavera de Barcelona, Barcelona, Spain, no. 22, May 1990, p.71.

Editors. To Be and Not To Be, 17 artistas, Madrid Epoca, Madrid, Spain, no. 272, May 21, 1990.

Editors. To Be and Not To Be, Revista Art, Madrid, Spain, May 1990, p. 17.

Editors. Primavera Fotografica, Revista Fotograficia, Athens, Greece, May 1990.

Editors. Cataluna Aflora en Imagenes, Revista Visual, Barcelona, Spain, no.6, p.2-5.

FALCES, Manuel. Alterar la Realidad, El Pais, Madrid, Spain, Apr. 28, 1990, p.5.

FONTRODONA, Oscar. To Be and Not To Be; La Primavera Fotografica se Inaugura Con una Pregunta Sobre la Identidad, ABC Cataluna, Barcelona, Spain, Apr. 24, 1990.

IBARZ, Merce. De la Fotografia, La Vanguardia, Barcelona, Spain, May 1990, pp. 88,90.

OLIVARES, Rosa. Una Cuestion de Metodo, Entre El Y La Representacion, Barcelona, Spain, Sept. 1991, p. 28.

PERERA, Marga. Primavera Fotografica, El Independente, Madrid, Spain, June 4, 1990.

REDACCIO. Mes de 70 Mostres Componen ‘la Primavera Fotografica del 1990’, Avui Barcelona, Apr. 11,1990.

SEVDEL, Jorinde. To Be and Not to Be, Metropolism, Barcelona, Spain, Sept./Oct. 1990.

UBEQUOI, Marie-Claire. Els Millors de la Primavera Fotografica, Diaride Barcelona, Barcelona, May 13, 1990.

VILA-SAN-JUAN, Sergio. La Primavera Fotografica de 1990 Planteara la Relacion del Genero con las Artes Plasticas, La Vanguardia, Barcelona, Spain, Mar. 19, 1990, p. 25.

EDWARDS, Owen. Seen From Within, Savvy Woman Magazine, N.Y., N.Y., Jan.1990, pp. 68-71.

GRUNDBERG, Andy. Weekend Reviews:Sandy Skoglund, The Green House at Janet Borden,Inc., The New York Times,N.Y., N.Y., Sept. 14, 1990, p. C23.

HEIFERMAN, Marvin. The Indomitable Spirit, catalogue pub. by Photographers & Friends Against AIDS, 1990.

HOY, Anne H. Constructed Reality,  catalogue for exhibit, pub. by  N.J. Center for the Arts, Summit, New Jersey, April-May 1990.

HOWE, Peter. The World's Best Photographers 1980-1990, Life Magazine Collector's Edition, winter 1990, pp. 35,123.

HUSTED, Bill. City Lights, Rocky Mountain News, Denver, Colo., June 5, 1990.

JACOBSON, Sebby Wilson. The ARTS: The Grist Amid the Gales, The Times-Union, Rochester, N.Y.,Jan. 18, 1990.

LEVIN, Kim. Voice Choices, The Village Voice, N.Y., N.Y., Sept. 18, 1990, vol. xxxv, no. 38 p. 116.

MASPLE, Louis. Primavera 1990: Etre ou Ne Pas Etre, Photographies Magazine, Paris, France, no. 24, July 1990, p. 31.

McGEE, Patrick. Happenings, Darkroom Photography, July 1990, p.11.

MILLET, Bernard, and ROEGIERS, Patrick. D'un Art L'Autre, catalogue for Biennale de Marseilles, pub. by La Fondation Nationale de l'Art Contemporain (FNAC), Marseilles, France, 1990, pp. 142-145, and p. 150.

NEMETT, Barry. Uncommon Canines, Museum and Arts, Wash. D. C., May/June 1990.

O’DONNEL, Kim. Doggies In The Window, City Paper, Phila. Penn., Nov. 23-30, 1990.

PINTO, Roberto. To Be and Not To Be, Flash Art International Magazine, vol. 23, no. 157, 1990, p. 177.

RAYNOR, Vivien. The Indispensability of Surrealism, The New York Times, N. J. Edition,

May 6, 1990, p. 26.

ROEGIERS, Patrick. Biennale Internationale de Marseille ‘90, catalogue pub. by the Museum of Art of Marseille,Marseille, France, 1990.

ROSEN, Steven. Bench Artists Take to the Streets, The Denver Post, Denver, Colo., June 1, 1990, pp. 7, 9.

ROSEN, Steven. Fox Games Message Strong and Bright, The Denver Post, Denver, Colo., June 2, 1990.

SCHMIDT, Christine. Verfuhrung durch erzahlte Bilder, Der Tag, Germany, May 10, 11,1990.

SISCHY, Ingrid. Goings On About Town: Photography, The New Yorker Magazine, N.Y., N.Y., Sept. 10, 1990, p.20.

SLADDEN, Mike. Gallery Talk by Sandy Skoglund, February 14, 1990, RF & PC Info Update pub. by Eastman House International Center of Photography, Rochester, N.Y., Mar.-Apr. 1990, pp.1-8.

SOZANSKI, Edward J. Reviews: Sandy Skoglund at the Temple Gallery, The Philadelphia Inquirer, Dec. 1990.

SULLIVAN, Constance. Women Photographers, book pub. by Harry N. Abrams, Inc., N.Y., N.Y., 1990, p.198.

TANAKA, Hiroko. Art Is Beautiful: Interviews with New York Artists, book pub. by Kawade Shobo Shinsha,Tokyo, Japan, Jan. 1990, pp. 161-164.

TOSHIYA, Ueno. Sandy Skoglund, Bijutsu Techo, Japan, Oct. 1990, vol. 42, no.629, pp.160-166.

ZALKIND, Simon. Visual Art, Icon, Denver, Colo., July 1990, p.6.


ARTNER, Alan. Getting the Picture, Chicago Tribune, Chicago, Ill., Nov. 26, 1989, sec. 13, p.16.

BAYLISS, Sarah. Suburban Home Life: Tracking the  American Dream, exhibition catalogue pub. by Whitney Museum of American Art; N.Y., N.Y., 1989.

BORDEN, Janet. Science Projects , exhibition catalogue pub. by Lafayette College, Easton, Penn. 1989.

BRADLEY, Jeff. Women Make Their Mark: Exhibit Focuses on Artistic Recognition, The Denver Post, July 21,1989, sec. F, pp. 1-F,6-F.

CARROLL, Charles Francis. Photo Explorations of the ‘80’s, The Valley Advocate, Hartford, Conn.,Oct. 16, 1989, p.8.

CORNAND, Brigitte. Images, Actuel Magazine, Paris, France, Nov. 1989.

DATTENBERGER, Simone. Fuchse Uberfallen einen Fruhstucksraum, Munchner Merkur, Munich,Germany,Oct. 31,1989.

DISTER, Alain. Histoire de L’Oeil, Le Nouvel Observateur, Paris, France, Oct. 12, 1989, pp.170-171.

DORSEY, John. Through the Mind’s Eye: Photos Show Created Realities, The Baltimore Sun, Baltimore, Md., Feb. 1989. p.1F.

DUSEIN, Gilles. Sandy Skoglund, Cliches Magazine, Paris, France, no. 58, pp. 24-30.

Editors. Exhibition Marks 150th Anniversary of Photography, The Alumnus, pub. by U. of Mass., Amherst, Mass., 1989.

Editors. Reviews:Photography of Invention, Contemporanea International Art Magazine, Milan, Italy, June 1989,vol. II, no.4, p.13.

Editors. On & Off the Wall, The Denver Art Museum Newsletter, pub. by Denver Art Museum, July/Aug. 1989, cover, p.2 & 5.

Editors. Genetique: le Congres de la Methode, Le Monde, Paris, France, Oct. 1, 1989.

Editors. Culture Guide: Sandy Skoglund et ses Objects Volants, Liberation, Paris, France, no. 2611,Oct. 14,15,1989,p.37.

Editors. Konstruiert, Arrangiert und Inszeniert, Photographie Magazine, Germany, Oct. 1989.

Editors. Sandy Skoglund, Photographies Magazine, Paris, France, Oct. 1989.

Editors. Sandy Skoglund a Paris, Photo Reporter, Paris, France, nouvelle serie, no. 1, Fall 1989.

Editors. Walker Art Center, Print Collector's Newsletter, Mar.-Apr. 1988, p.23.

Editors. Artists of the 80's, selected works from the Maslow Collection, catalogue for exhibition at Sordoni Art Gallery, Wilkes College, Penn., Apr. 1989.

Editors. Fantasmagories, Telerama, Paris, France, no. 2078, Nov. 11-17, 1989.

Editors. A Breeze At Work, The Times Literary Supplement, London, England, Oct. 20, 1989.

FEITELSON, Ann. Photos and TV: Seeing and Believing, Amherst Bulletin, Amherst, Mass., Oct. 11, 1989, sec., 2, p.1.

GLIEWE, Gert. Irrgarten Der Lust In Bedrohter Natur, Abendzeitung Munchen, Munich, Germany, Nov. 6, 1989.

HAUS, Mary. Review: Sandy Skoglund, Art News Magazine, N.Y., N.Y., Feb. 1989, pp.135,136.

HIRSCH, Robert. Exploring Color Photography, book pub. by William C. Brown College Division, Dubuque, Iowa,1989, p. 210.

HORNER, Carol. The Call of the Suburbs, The Philadelphia Inquirer, Phila., Penn., May 28, 1989,sec. F, p. 1-F, 8-F.

KOHLER, Michael. Das Konstruierte Bild (Constructed Photography) book/catalogue pub. by Editions Stemmle and Kunstverein Munchen,1989, pp. 59-81, and cover.

KOZLOFF, Max. Hapless Figures in an Artificial Storm, Artforum Magazine, N.Y., N.Y., Nov. 1989, pp.131-136.

LEMAGNY, Jean-Claude and SAYAG, Alain. L’Invention D’un Art, Simulacres et Fictions  essay by Michel Nuredsany, exhibition catalogue pub. by Editions Centre Georges Pompidou, Paris, France, 1989.

MAXFIELD, David. Today’s New Photoartists Make, Not Take Pictures, St. Louis Post-Dispatch, St. Louis, Missouri, June 25, 1989.

ORESMAN, Janice. Art of the ‘80’s from the Collection of Chemical Bank, catalogue pub. by Montclair Art Museum, Montclair, N. J., Jan. 29-Apr. 9, 1989.

PERREAULT, John. Through a Glass Darkly, Artforum Magazine, N.Y., N.Y., Mar. 1989, p.108.

PLAGENS, Peter. Into the Fun House:150 years of photography, Newsweek Magazine, N.Y., N.Y., Aug. 21,1989, pp. 52-57.

PURCHASE, Steve. Show of Works by Visiting Artists, Baltimore Evening Sun, Baltimore, Md., Feb. 9, 1989,p.C3.

REITTER, Barbel. Ironische Schein-Realitaten, Bayerische Staatszeitung, Germany, Nov. 24, 1989.

RICHARD, Paul. The Shifting Shutter of Photography, The Washington Post, Wash., D.C., April 28, 1989.

RICHARDSON, Trevor. Fantasies, Fables, and Fabrications: Photo-Works From the 1980’s, exhibition catalogue the Univ. of Mass.,Amherst, Mass., 1989, p.9.

ROEGIERS, Patrick. Un Autre Monde, Le Monde, Paris, France, Nov. 25, 1989.

RUSSELL, John. In Connecticut...Reviews , New York Times, N.Y., N.Y., Aug. 4, 1989, p. C23.

SAYAG, Alain. De la Photographie comme un des Beaux-arts, Photo-Poche book published by the National Center of Photography of France, Paris, France, 1989, pp. 50-53.

SMITH, Joshua. The Photography of Invention, American Pictures of the 1980’s, introduction by M.A. Foresta, book the Natl. Mus. of American Art (Smithsonian Inst.) and M.I.T. Press, Cambridge, Mass.Cover and pp.184,185.

SOZANSKI, Edward. Photography That Defies Traditions, The Philadelphia Inquirer, Phila.,Pa., July 13, 1989, p.3-E.

TULLY, Judd. Blasting Out of the Darkroom, Taxi Magazine, N.Y., N.Y., July 1989, p. 30.

WEBER, Bruce. Outfoxing the Viewer, Works in Progress section of the New York Times Sunday Magazine, Oct. 8, 1989, p. 94.

WILLIAMS, Arthur. Sculpture:Technique, Form, Content, textbook pub. by Davis Publications, Worcester, Mass., p. 3 of color plate section, 1989.


ARTNER, Alan G. Cross References, The Chicago Tribune, Chicago, Ill., Feb. 14, 1988, sec.13, p.14.

BASS, Ruth. Sandy Skoglund, Art Talk, The Voice of Art, Scottsdale, Arizona, Vol.VIII No. 2, Nov., 1988.

CAPORASO, Pat. Castelli Graphics 1969-1988, catalogue pub. by Castelli Graphics, N.Y., N.Y. 1988.

DeBELL, Jeff. Accessible Avant-Garde, Roanoke Times and World News, Nov. 5, 1988.

Editors. Snapped Up: Vintage to Vanguard, Art News Magazine, N.Y., N.Y., Nov. 1988, p. 149.

Editors. On the Cover, Icon, Boulder, Colo.,vol.1, no.8, Dec. 1988, cover and p.1.

Editors. Galleries, New York Magazine, N.Y., N.Y., Sept. 12, 1988, p. 70.

GRUNDBERG, Andy. A Revival of Interest in a World Gone Awry, The New York Times, N.Y., N.Y., Dec. 4, 1988, p. 37.

HAUS, Mary Ellen. Exposed, New York Woman Magazine, N.Y., N.Y., Mar. 1988.

HANDY, Ellen. Sandy Skoglund, Arts Magazine, N.Y., N.Y., Dec. 1988, p. 83.

HEATH, Jennifer. Nature, Science, Technology Show Refreshes Briefly, Rocky Mountain News, Denver, Colo., Dec. 1988, p. 16-W.

HOLG, Garrett. Cross References, The Chicago News-Sun, Chicago, Ill., March 3, 1988, p. 2.

HOLG, Garrett. Cross-References: Sculpture into Photography, The New Art Examiner, Chicago, Ill., Apr. 1988,p.52.

JELINEK, Elfriede. Wir sind lockvogel baby!, cover for novel pub. by Rowohit Taschenbuch Verlag,Germany, 1988.

JOHNSON, Ken. Art Review:Sandy Skoglund at Damon Brandt and Lorence-Monk, Art in America, N.Y.,N.Y., Dec.1988.

KAINDL, Kurt. Sandy Skoglund:Fay Gold Gallery, Art Papers, Atlanta, Georgia, vol. 12, no. 1, Jan/Feb. 1988.

LEVIN, Gail. Forecasts: Visions of Technology in Contemporary Painting and Sculpture, exhibition catalogue pub. by the       Nerlino Gallery, Inc., N.Y.,1989.

MASTERS, Greg. Displacing Sensory Expectations: Interview with Sandy Skoglund, Cover Magazine, Sept. 1988, p. 14.

MAATJES, Door Hennie. Schilderen mit de Camera, Nieuwe Revu Magazine, Amsterdam, The Netherlands, Jan. 14-21 issue, 1988, pp. 38-39.

 MUELLER, C. Details Magazine, May 1988, p. 81.

PREBLE, Sarah and Duane. Art Forms, book pub. by Harper & Row, N.Y., N.Y., 1988, p. 449.

RAWLINGS, Irene M. K. Photographer's Lecture..., The Denver Post, Nov. 2, 1988, p.2c.

REEVE, Catharine. Photography: Inner and Outer Explorations of the Medium, The Chicago Tribune, Chicago, Ill., Jan. 15, 1988, p. 72.

REEVE, Catharine. Using Sculpture to Pose Some Photographic Questions, The Chicago Tribune, Chicago, Ill., Jan. 29, 1988, p. 7.

SHERMAN, Mary. At MCA,Sculptors Affirm Reality With Photographs, Chicago Sun-Times, Chicago, Ill., March 3, 1988, p. 4.

SUZUKI, Gyoh. 8 Visions: Works by 8 Contemporary American Women, exhibition catalogue pub. by  PARCO Corporation,Tokyo,Japan, 1988.

TANAKA, Hiroko. Sandy Skoglund, Hi Fashion Magazine, Tokyo, Japan, Dec. 1988, no. 176.

TULLY, Judd. Off the Wall, Taxi Magazine, N.Y., N.Y., Oct, 1988, p.120. Article reprinted in Eastern Review Magazine, pub. by Eastern Airlines, Nov. 1988.

VISANI, Virginia. Sognando S'Impara, Anna bella Magazine, Milan, Italy. Apr. 1988, p. 3, pp. 56-62.

WEINSTEIN, Ann. Skoglund Always Pushes Photography To Limit, Roanoke Times & World News, Oct. 30, 1988.

YAU, John. Review:Sandy Skoglund at Damon Brandt Gallery and Lorence-Monk Gallery, Artforum Magazine, N.Y., N.Y., Nov. 1988.


CURTISS, Deborah. Introduction to Visual Literacy, book pub. by Prentice-Hall, Inc., Englewood Cliffs, N.J.,1987, p. 207.

DANIELS, Demetra. New Things In the New Year, Downtown Magazine, N.Y., N.Y., no. 36, Feb. 4, 1987, p.15-A.

DORSEY, John. The Confusion of Illusion in Photography, The Baltimore Sun, Baltimore, Md., Feb. 10, 1987.

DURAND, Regis. Les Catastrophes Paradoxales de Sandy Skoglund, Art Press 110, Paris, France, Jan. 1987.

Editors. Denison to Feature Skoglund Artwork, The Advocate Entertainer, Newark, Ohio, Feb.12, 1987.

Editors. Album: Sandy Skoglund, Arts Magazine, N.Y., N.Y., Jan. 1987.

Editors. Details Magazine, N.Y., N.Y., April 1987, p.D.

Editors. Camera at Work: Sandy Skoglund, Life Magazine, N.Y., N.Y., Oct. 1987.

Editors. Wilshire Center, The Los Angeles Times, L.A., Calif., Aug. 21, 1987.

Editors. Sandy Skoglund, Marie Claire Japan Magazine, Tokyo, Japan, No. 57, 1987, pp. 102-105.

Editors. News of the Print World: People and Places, The Print Collectors Newsletter, July-Aug. 1987, p. 96.

Editors. Sandy Skoglund:Dye Transfer Prints, brochure pub. by Real Art Ways, Hartford, Conn., Sept. 1987.

Editors. Journal Foto & Film, Stern Magazine, Germany, 1987, p. 183.

Editors. Cross-Reverences:Sculpture into Photography, newsletter pub. by Walker Art Center, Sept. 1987,

FELDMAN, Edmund Burke. Varieties of Visual Experience, Third Edition, book pub. by Harry N. Abrams, Inc.,N.Y., N.Y., 1987, p. 415.

GAINSLEY, Bonnie. Sculptures say Cheese, Minneapolis-St. Paul, Minneapolis, Minnesota, Sept. 1987, p.74.

GAUS, Kathleen McCarthy and GRUNDBERG, Andy. Photography and Art: Interactions since 1946, book pub. by Abbeville Press, N.Y., N.Y., 1987, pp. 13,180,182,194.

GOLDWATER, WEINBERG, and ARMSTRONG. Cross-References:Sculpture into Photography,  catalogue for exhibition pub. by Walker Art Center, Minneapolis, Minn., 1987.

HAGEN, Charles. Reviews-Sandy Skoglund; Sharpe Gallery, Castelli Uptown, Artforum Magazine, N.Y., N.Y., April 1987, pp.127,128.

HARRIS Patty. Sandy Skoglund, 108 An East Village Review, N.Y., N.Y., Jan. 1987, p.10.

HOY, Anne H. Fabrications: Staged, Altered, and Appropriated Photographs, book pub. by Abbeville Press, N.Y.,N.Y., 1987.

LEVIN, Kim. Village Voice Centerfold, The Village Voice, N.Y., N.Y., Feb. 3, 1987.

MARTIN, Mary Abbe. Critic’s Choice, Minneapolis Star Tribune, Minneapolis, Minn., Sept. 18, 1987.

MARTIN, Mary Abbe. Exhibit’s Photos Lie-but Artfully, Minneapolis Star Tribune, Minneapolis, Minn., Sept. 27, 1987, pp. 1G and 9G.

McCULLOUGH. Cross References: Sculpture into Photography, Twin Cities Reader, Minneapolis, Minn., Sept. 1987.

McKENZIE, Barbara. Art Review: Skoglund’s Photographs Capture the True Fiction in Modern Life, The Atlanta Journal-Constitution, Atlanta, Georgia, Oct. 18, 1987.

RUGGIERO, Laurence. This Is Not A Photograph: Twenty Years of Large Scale Photography, 1966-86, exhibition catalogue pub. by The Ringling Museum of Art, Sarasota, Fla.,1987, p. 18.

SCHWABSKY, Barry. Reviews of Exhibitions: New York, Flash Art International Magazine,no. 133, April 1987, p.90.

SKYMER. Rooms With A View, City Pages, Minneapolis, Minn., Sept. 1987, p.28.

TALLMER, Jerry. Mini Art in a Maxi Way, City Weekend Section, New York Post, N.Y., N.Y., Jan. 9, 1987,p.19.

TULLY, Judd. Reviews of Exhibitions: New York, The New Art Examiner, Chicago, Ill., May 1987, p. 57.


Editors. Maybe Babies, Gallerie Leo Castelli, N.Y., Actuel Magazine, Paris, France, no. 85, pp. 24, 44.

Editors. Light Impressions Review #17, published by Light Impressions Corp., Rochester, N.Y.,winter 1986,cover.

Editors. Images Fabriquees, catalogue pub. by Musee d’Art Contemporain de Montreal, Montreal,Canada, 1986.

Editors. Skoglund, The Month of Photography in Paris, Photo Magazine, Paris, France, No.230, Nov.1986, pp.114-117.

Editors. Sotheby's Catalogue, Sotheby's Auction House, N.Y., N.Y., catalogue for Nov.10,1986,cover.

HEITING, Manfred. 50 Years of Modern Color Photography, pub. by Messe und Ausstellungs, Cologne, Germany,pp. 289, 346.

LACOUE-LABARTHE, Phillippe, MEATYARD, Christopher and ROEGIERS, Patrick. Theatre des Realities, pub. by Metz Pour la Photographie Foundation, Metz-Marly, France, March 1986, pp. 36-38.

STEIN, Harvey. Artists Observed, book pub. by Harry N. Abrams, Inc., N.Y., N.Y. 1986.



CURTISS, Deborah. Introduction to Visual Literacy, book pub. by Prentice-Hall, Inc., N.Y., N.Y., 1985.

Editors. Sandy Skoglund, Bijutsu Techo, Japan, April 1985, pp. 42,43.

Editors. Today’s American Works, Photo Japon, Tokyo, Japan, No. 16, Feb. 1985, pp. 44-47.

Editors. New Talent/New York, exhibition catalogue pub. by Sioux Art Center, Sioux City, Iowa, 1985,pp.15,16,72,73.

GRANT, Daniel. Photography’s New Esthetic, The Appeal, Memphis, Tenn., Apr. 21, 1985, p. J1.

RICE, Shelley. Photographic Installations, San Francisco Camerawork, vol. 12, no. 1, Spring 1984, pp. 4,5.


DINES, Elaine. Anxious Interiors, exhibition catalogue pub. by Laguna Beach Museum of Art, Laguna Beach, Calif.,1984, p. 18, 26, 70.

Editors. Visions of Childhood: A Contemporary Iconography, exhibition catalogue pub. by Whitney Museum of American Art, 1984.

FELSHIN, Nina. Disarming Images: Art for Nuclear Disarmanent, exhibition catalogue pub. by Adama Books,1983,p.19.

KAJIWARA,Takao. Nippon Camera, April 1983.

NAEF, Weston. New Trends, The Gallery of World Photography, book pub. by Dai Nippon Pub. Co.,N.Y.,N.Y.,1984.

RAYNOR, Vivian. New Drawings by Castelli Artists, New York Times, N.Y., N.Y., Nov. 2, 1984.

ROBBINS, Corrine. The Pluralist Era, book pub. by Harper & Row, N.Y., N.Y., 1984, pp. 222-224.

ROSE, Barbara. The Threat of a Nuclear Holocaust Galvanizes Artists to Warn Us of Our Potential Annihilation, Vogue Magazine, N.Y., N.Y., July, 1983.


EDWARDS, Owen. Maybe Babies, Sandy Skoglund's Toys in Babeland, American Photographer Magazine,Aug. 1983, pp.59-61.

FILLER, Martin. Living Color, Ambassador Magazine, special edition in French, 1983, pp. 42-53.

GLUECK, Grace. Art That Comments on the Fate of the Earth, The New York Times, N.Y., N.Y., March 13, 1983.

GRALNIK, Herbert. Maybe Surrealism, St. Louis Magazine, St. Louis, Missouri, Nov. 1983, p.34.

GRUNDBERG, Andy and SQUIERS, Carol. Family Fables, Modern Photography Magazine, N.Y., N.Y., June 1983,vol. 47, no. 6, pp. 78-83.

HAGEN, Charles. Reviews, Artforum Magazine, N.Y., N.Y., vol. XXI, no. 9, May 1983, p. 95.

JENSEN, Eileen. New Trends in Photography Examined, Arts Insight, Terre Haute, Indiana, vol. 5, no. 6, Oct. 1983.

JOHNSON, Chris, and HEDGEPETH, Ted. Interview With Sandy Skoglund, San Francisco Camerawork Quarterly Magazine, vol.10,no.3,Autumn 1983. pp.4,5,10.

LARRAIN, Christine. Sandy Skoglund, Zoom Magazine, Paris, France, pp. 42-53, 1983.

MERRITT, Robert. Sculpture Now Unsettling, Richmond Times Dispatch, Richmond, Virginia, Oct. 14, 1983.

RUBIN, Michael G. Skoglund's ‘Babies’: an elusively abnormal fantasy, St. Louis Globe-Democrat, St. Louis, Missouri, Nov. 19-20, 1983, p. 6C.

STEINBROK, Sarah. Printed by Women, Philadelphia Photo Review, Philadelphia, Penn., vol. 7, no. 3, Fall 1983, pp. 2-4.


CALDWELL, John. A Closeup On Current Photography, New York Times, N.Y., N.Y. May 9, 1982.

DEGENER, Patricia. Reviews: Midwest, Sandy Skoglund at Greenberg Gallery, The New Art Examiner, Chicago, Ill., Feb. 1982.

Editors. Special on Photography, Geo Magazine, German edition, 1982, no. 32.

HANSON, Bernard. A Plunge Into the Surreal, The Hartford Courant, Hartford, Conn., May 23, 1982.

LARRAIN, Christine. Sandy Skoglund, Zoom Magazine, #T2931, 1982, pp. 42-52.

MILLER-KELLER, Andrea. Matrix 71: Sandy Skoglund, exhibition brochure pub. by The Wadsworth Atheneum,Hartford, Conn., April, 1982.

SOBIESZEK, Robert A. Color As Form, A History of Color Photography, catalogue for exhibition pub. by Int'l. Museum of Photography at George Eastman House, Rochester, N.Y., 1982.


BRITTAN, David. Who's New? USA: Sandy Skoglund, Amateur Photographer, London, England, July 4. 1981.

CALDWELL, John. Modernism in Morristown, The New York Times, N.J. Edition, Aug. 30, 1981.

CRANE, Jeannette. Photography Show Provides Lively Exhibit, St. Petersburg Independent, St. Petersburg, Fla.,Dec. 24, 1981.

DAVIS, Douglas. Worlds of Color, A Call to the Colors, Newsweek Magazine, N.Y., N.Y., Nov. 23, 1981, vol.XCVIII no. 21, pp.115-116.

DiGRAPPA, Carol. Close Quarters, Camera Arts Magazine, N.Y., N.Y., vol. 1, no. 3, May-June 1981, Reprinted in Fotografi Magazine, no. 11, Nov. 1981.

EAUCLAIRE, Sally. The New Color Photography, book pub. by Abbeville Press, N.Y., N.Y., 1981, pp. 239-242 and plate no. 166.

Editors. Challenging Traditions: Into the Third Dimension, The Art of Photography, revised edition, 1981, Life Library of Photography, p.165.

Editors. In Search of Real Fiction, Pick of the Week, London Sunday Times Magazine, London, Eng., Sept.20,1981.

Editors. Color Now, Modern Photography Magazine, N.Y., N.Y., July 1981, vol. 45, no.7, pp. 80-154.

FREUDENHEIM, Susan. Focus: Sandy Skoglund, exhibition brochure pub. by The Fort Worth Art Museum, Sept.1981.

GRUNDBERG, Andy, Fish on a Line, The Soho News, N.Y., N.Y., Jan. 13, 1981. p. 35.

JOHNSON, Patricia. While Not A Photography Show, Exhibit Uses Medium As Art Form, The Houston Chronicle, Houston, Texas, July 9, 1981.

KALIL, Susie. New York Storytellers: Ambiguities and Obfuscations, Artweek Magazine, Aug. 1, 1981, vol. 12, no. 25, pp.1, 20.

KING, Mary. Windows Into a Surreal World, St. Louis Post-Dispatch, St. Louis, Missouri, Nov. 6, 1981.

KUTNER, Janet. What The Camera Records Didn't Happen Naturally, Dallas Morning News, Oct. 7. 1981.

MASON, Robert G. Trends: Pictures That Tell the Truth By Making It Up, Photography Year 1981, Time-Life, Inc., pp.16-17, and cover.

RATCLIFF, CARTER. Tableau Photography: From Mayall to Rodan, Its Roots and Reason, Picture Magazine, L.A., Calif., p. 42.

RICE, Shelley. Reviews, Artforum Magazine, N.Y., N.Y., March 1981, p. 88.

SALWAY, Kate. New American Color Photography, The British Journal of Photography, London, England, Nov. 18, 1981, p. 183.

TALLMER, Jerry. The Goldfish are on the Move, The New York Post, N.Y., N.Y., Jan. 17,1981.

THORNTON, Gene. Photography Review: A Mixed Bag of Exhibitions, The New York Times, N.Y., N.Y.,Jan,18,1981.

TREBAY, Guy. The Fish Knows the Way, The Village Voice, N.Y., N.Y., Jan. 7, 1981, p.51.

TULLY, Judd. Reviews of Exhibitions: New York, Flash Art International Magazine, no. 103, summer 1981, p. 55.

WINOKUR, Ken. Shows: Contemporary Photographs, Views, winter 1981, p. 22.


Editors. Prints and Photographs Published; Sandy Skoglund: Radioactive Cats, Print Collectors Newsletter, N.Y.,N.Y., July-Aug. 1980, vol. XI, no. 3, p. 103.

Editors. Supplement on the N.E.A. grants in Photography, newsletter pub. by Afterimage of the Visual Studies Workshop, Rochester, New  York.

GRUNDBERG, Andy. Artbreakers: New York's Emerging Artists, The Soho News, N.Y., N.Y., Sept. 17, 1980, p. 33.

GRUNDBERG, Andy. Fairly Tales, The Soho News, N.Y., N.Y., Sept. 17, 1980.

KALIL, Susie. Houston Art Wave, Artweek, Aug. 2, 1980, vol. 2, no. 26.

LARSON, Kay. Art Reviews, The Village Voice, N.Y., N.Y., May 26, 1980.

STANISZEWSKI, Mary Anne. New York Reviews, ART News Magazine, N.Y., N.Y., vol. 79, no. 9, Nov.1980,p.214.

WOOD, S.D. Reviews: Sandy Skoglund at Real Art Ways, Art New England, vol. 1, no. 5, April 1980.

ZIMMER, William. Home on the Strange, The Soho News, N.Y., N.Y., May 21, 1980.


BELL, Tiffany. Reviews, Arts Magazine, N.Y., N.Y., vol. 52, no. 7, March 1978, pp. 22-23.


COLLINS, James. Reviews, Artforum Magazine, N.Y., N.Y., vol. 12, no. 5, Jan. 1974, p. 73.









Nebraska Art Education Association, Omaha, Nebraska. Keynote speaker Annual Conference. Sept. 18, 2015.


New York Film Academy (NYFA), featured lecture to Photography Dept. Students and Faculty, Jan. 22, 2014.

Harding Township Elementary School, Harding Township, N.J., Lifeforms Workshop, May 27-29, 2014.


AIPAD, Assoc. of International Photography Dealers. Keynote speech to members, N.Y., N.Y. Sept. 30, 2013.

University of Denver, Denver, Colorado. Bookmarks: workshop installation with students April 8-12, 2013.


Vermont Art Education Association, Johnson, Vermont. Keynote address October 19, 2012.

UVU (Utah Valley University), Salt Lake City, Utah. Lecture and workshop Feb. 2, 2012.


Texas Art Education Association, Galveston, Texas. Keynote address Nov. 12, 2011.

MFAH (Museum of Fine Arts Houston), public forum with curator A.Tucker. Nov. 13, 2011.


Lucca Digital Foto Festival, Lucca, Italy. The Power of the Imagination, lecture discussion Nov 27-28, 2013


Denver Art Museum, Logan Lecture Distinguished Artist Series, Denver, Colo., May 19, 2009

Manchester Community College, Dehn Foundation Visiting Lecturer, Manchester, Ct. Feb. 11, 2009.


Oakland University, Rochester, Michigan. Workshop and lecture, Rochester, Michigan, Oct. 9,  2008

School of Art of Brescia, Italy. Panel discussion, Oct. 24, 2008.

Florida Art Education Association, Tampa, Florida. August 12, 2008.

McNay Art Museum, lecture and workshop, San Antonio, Texas. June 12, 2008.

Central Michigan University, Lansing, Michigan. Lecture and workshop. March 18, 2008.

Cincinnatti Country Day School, Cincinnatti, Ohio. Lecture and workshop Feb. 12, 2008.


St. Francis University, Fort Wayne, Indiana lecture October 26, 2007.

Oregon Art Education Conference, keynote address and workshop, October 11-12, 2007.

Mississippi State University, lecture and workshop March 22, 2007.­­

North Carolina Art Education Conference, Wilmington, N.C.. keynote address and workshop March 2-3, 2007.

New Jersey Art Education Association Conference, Somerset, New Jersey. Keynote address and workshop October 2, 2007.

California Art Education Conference, Burbank, California. Keynote address and workshop November 18, 2007.


Savannah College of Art and Design, Atlanta, Georgia. Lecture April 26, 2006.


Detroit Country Day School, Bloomfield Hills, Michigan. Lecture and workshop April 11, 2005.

Tennessee Art Education Association Conference, Memphis, Tenn., Keynote lecture and workshops. Nov. 3-4, 2005


Baum Gallery at University of Central Arkansas, Little Rock, Arkansas, lecture and workshop Jan. 23-24, 2004.

Museum of Glass, Tacoma, Washington, lecture April 18, 2004.

Rockford College, Rockford, Illinois. Lecture and workshop March 19, 2004.

Michigan Art Education Conference, Lansing, Michigan, keynote speaker and workshop, Oct. 22-23, 2004.

Michigan State University, Lansing, Michigan, lecture Oct. 21, 2004.


Parsons College of Art and Design, N.Y., N.Y. lecture May 12, 2003.

Minnesota Art Education Association, Minneapolis, Minn., keynote speaker and workshop, Nov. 6-7, 2003.

Hartford Art School, West Hartford, Conn., lecture March 30, 2003.

Palm Springs Desert Museum, public panel discussion, Oct. 3, 2003.

Temple University, Tyler School of Art, Philadelphia, Penn., lecture Nov. 11, 2003.

Hartwick College, Oneonta, New York, lecture and workshop, Nov. 19-20, 2003.

Savannah College of Art and Design, School in La Coste, France. Streaming, Workshop April 27-29, 2003.

Center for Visual Arts, Denver, Colorado. Multiple workshops with community and students. March 8-12, 2003.

Millersville University, Lancaster, Pennsylvania. Workshop, April 16-17, 2003.

The Hunter Museum, Chattanooga, Tenn. Clear Chaos, Workshop and lecture, Jan. 10-11, 2003.


Art Education Association of Indiana, Keynote Speaker, Annual Conference Terre Haute, Indiana Nov. 8, 2002.

Brigham Young University, Salt Lake City, Utah. Lecture. Oct. 3, 2002.

Denver Art Museum, Denver, Colorado. Lecture. Sept. 4, 2002.

Cornell University, Johnson Museum of Art, Workshop and lecture, April 10, 2002.

Erie Art Museum, Erie, Penn., April 15-16, 2002.

Stephen F. Austin University, Nacogdoches, Texas, April 4-7 2002. Juror of Texas National 2002.

University of Kentucky, Lexington, Kentucky, Lecture. April 12, 2002.

Memorial Art Gallery, Rochester, New York, Lecture. April 14, 2002.

University of Northern Iowa, Waterloo, Iowa Lecture. April 29-30, 2002.

S. Dakota School of Mines and Technology, Apex Gallery, Rapid City, S. D., Workshop and lecture March 27-30 2002.

Savannah College of Art and Design, Savannah, Georgia.  Lecture Feb. 26, 2002.


National Art Education Association (NAEA), Keynote Speaker, Annual Conference New York City. March 16, 2001.

Colorado Art Education Association, Keynote Speaker, Annual Conference Breckenridge Colorado. October 5, 2001.

Rocky Hill High School, Hartford High School, Hartford, Conn., Workshop with students. April 24, 2001


Ohio Art Teachers Association, Keynote Speaker, Annual Conference Cincinnatti Ohio, Nov. 3, 2000.

Tennessee Art Education Association, Keynote Speaker, Annual Conference Knoxville Tennessee, Nov. 4, 2000.

Wisconsin Art Education Association, Keynote Speaker, Annual Conference Madison Wisconsin, April 26, 2000.

University of Akron, Akron, Ohio, Sept. 13, 2000.

Detroit Country Day School, Monochrome Color Workshop, Detroit, Michigan, April 13-14, 2000.

Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, Oct. 6-7, 2000.

High Museum of Art, Atlanta, Georgia, Nov. 20, 2000.

Nelson-Atkins Museum of Art, Kansas City, Kansas April 13, 2000.

Hallmark Corporate Art Collection, Kansas City, Kansas April 13, 2000.


Louisiana State College of Design, Baton Rouge, Louisiana. Sept. 15, 1999.  


Smith College Museum of Art, Northampton, Mass., Photoshoot and original lithograph commissioned by the college. Workshop October 1995.

Huntington Museum of Art, Huntington, West Virginia. Lecture and Workshop Sept. 14-17, 1995.

Ohio State University, Columbus, Ohio. Lecture and workshop: Teaching Contemporary Art summer colloquium, July 17-21, 1995.

Mississippi Museum of Art, Jackson, Mississippi. May 20, 1995.

Philbrook Museum of Art, Tulsa, Oklahoma. Workshop, March 4, 1995.


Lakeview Museum, Peoria, Illinois, Dec. 2, 1994.

Janet Borden, Inc., New York, New York. Lecture in gallery to students of Swarthmore College, sponsored by Art in General, Oct. 28, 1994.

Wesleyan University, Center for Creative Youth, Middletown, Connecticut, July 14, 1994.

Austin Peay State University, Clarksville, Tennessee, April 18, 1994.

Columbus Museum of Art, Columbus, Ohio, March 21, 1994.


James Madison University, Harrisonburg, Virginia, Sept. 27, 1993.

Maryland Institute of Art, Baltimore, Maryland, May 13-14, 1993.

Photographic Resource Center, Boston University, Boston, Mass., March 25, 1993.

The Art Institute of Boston, Boston, Mass., March 24, 1993

Austin College, Austin, Texas, Feb. 9, 1993.

University of North Texas, Denton, Texas, Feb.8-10, 1993.

Blue Star Artspace, San Antonio, Texas, Feb. 13, 1993.


New York University, Tisch School of the Arts, N.Y., N.Y., Nov. 10, 1992.

The Spence School, N.Y., N.Y., visiting artist, Nov. 17 and 18, 1992.

University of Oklahoma, Norman, Oklahoma. Sept. 27, 1992.

Aspen Museum of Art, Aspen, Colorado. July 23, 1992.

University of Connecticut, Storrs, Connecticut. April 20, 1992.

Lowe Museum of Art, Coral Gables, Florida. April 9, 1992.

The International Center of Photography, New York, New York. Workshop:Installation and Photography, June 6-7, 1992.

The Center for North American Studies in cooperation with the Fundacio la Caixa Barcelona, Spain. Lecture: Photography as the Enemy of Death, April 29, 1992.

Smithsonian Institution, Masters of Photography series, April 13,1992.

Artworks Gallery, Hartford, Connecticut. Juror: Photography Show 1992, March 3-28 1992.

Tampa Museum of Art, Tampa, Florida. Heart and Mind, Feb. 15, 1992.

Independent Curators, Inc., New York Studio Events, N.Y., N.Y., Jan. 21, 1992.

University of North Texas, Professional Practices in Art, Graduate School, studio visit, May 22, 1992.

Maryland Institute of Art, Baltimore, Maryland. March 19, 1992.


School of Visual Arts, N.Y., N.Y., Dec. 5, 1991.

Princeton University, Princeton, New Jersey. Nov. 5, 1991.

The Detroit Institute of Arts, Graphic Arts Council, studio visit, Nov. 2, 1991.

Eye On Art 1991, New York City, studio visit, Sept. 11, 1991.

The Forum Gallery at Jamestown Community College, Jamestown, New York. Lecture and Juror: Photo-Nominal ‘91. Jan. 26, 1991.


Tyler School of Art, Philadelphia, Pennsylvania, Nov. 16, 1990.

George Eastman House Museum of Photography, Rochester Film and Photo Consortium, Rochester, N. Y. Feb. 14, 1990.

Rochester Institute of Technology, Rochester, New York. Feb. 14, 1990.


Baltimore Museum of Art, Baltimore, Maryland, April 27, 1989.

State University of New York at Albany, Albany, New York, April 12-13, 1989.

University of New Orleans, New Orleans, Louisiana, March 16, 1989.

Maryland Institute of Art, Baltimore, Maryland, March 14-15, 1989.


Hollins College, Roanoke, Virginia, Nov. 1-2, 1988.

Denver Museum of Art, Denver, Colorado, Nov. 3, 1988.

City Without Walls, Newark, New Jersey. Juror: Metro ‘88 Small Works Exhibition, Juror, Nov. 9 - Dec. 13, 1988.

School of Visual Arts, New York, New York, Oct. 10, 1988.

Mason Gross School of the Arts, Rutgers University, New Brunswick, New Jersey, May 4, 1988.

Drew University, Madison, New Jersey, April 28, 1988.


Atlanta College of Art, Atlanta, Georgia, Oct. 8, 1987.

Walker Art Center, Minneapolis, Minnesota, Sept., 20, 1987.

Brooklyn College, N.Y., N.Y., April 22, 1987.

University of Illinois, Champaign-Urbana, Illinios. Graduate School of Photography, Feb. 20, 1987.

Denison University, Granville, Ohio, workshops on sculptural environments and photo-derived imagery, Feb. 16-19, 1987.


International Center of Photography, N.Y., N.Y., March 5, 1986.


Pratt Institute: Conference panel member Illuminating Color: Four Approaches in Contemporary Painting and Photography, Nov. 3, 1985, Brooklyn, N.Y.

Society for Photographic Education, 1985 Northeast Regional Conference, State Univ. of N. Y., Plattsburg, N.Y., Conference speaker on Content and Context: Photography and the Fine Arts, Oct. 19-24, 1985.

Rochester Institute of Technology, Rochester, New York, April 24, 1985.

New York University, N.Y., N.Y., April 16, 1985.

New York Foundation for the Arts, panel member for state grants in photography, March 1985.


The New Arts Program, Kutztown, Pennsylvania, Nov. 8-9, 1984.

Notre Dame University, Notre Dame, Indiana, Oct. 10, 1984.

Swain School of Design, New Bedford, Massachusetts, Sept. 11, 1984.

North Carolina School of the Arts, Winston-Salem, N. C., April 9-13, 1984.

The School of Visual Arts, N.Y., N.Y., March 26, 1985.


California College of Arts and Crafts, Oakland, California.

Camerawork, San Francisco, California.

Drew University, Madison, New Jersey.

University of Texas at Arlington, Arlington, Texas. Fotoflow symposium.

Long Island University, C.W. Post Center, Greenvale, New York.

San Francisco Art Institute, San Francisco, California.

State University of New York at Fredonia, Fredonia, New York.

University of Florida, Gainesville, Florida.

University of Massachusetts, Amherst, Massachusetts.

Washington University, St. Louis, Missouri.


The Annual College Art Conference of the College Art Association, N.Y., N.Y., Panel member.

Minneapolis Institute of Art, Minneapolis, Minnesota.

Montclair State College, Upper Montclair, New Jersey.

The Friedus Gallery, The New Museum Collector's Club, N.Y., N.Y.

St. Louis Museum of Art, St. Louis, Missouri.

Wadsworth Atheneum, Hartford, Connecticut.


The College Art Association, New York, New York.

Mason Gross School of the Arts, Rutgers University, New Brunswick, New Jersey.


University of Notre Dame, Notre Dame, Indiana.  Oct. 10, 1980.

C.E.P.A. Gallery, Buffalo, New York.

Hartford Art School, Hartford, Connecticut.


Sarah Lawrence College, Bronxville, New York.







Addison Gallery of American Art, Andover, Massachusetts

Akron Art Museum, Akron, Ohio

American Petroleum Partners, Dallas, Texas

Amon Carter Museum of American Art, Fort Worth, Texas

Avon Corporation, New York, New York

Baltimore Museum of Art, Baltimore, Maryland

Boise Gallery of Art, Boise, Idaho

Brooklyn Museum of Art, Brooklyn, New York

Center for Creative Photography, University of Arizona, Tucson, Arizona

Centre Georges Pompidou, Paris, France

Chase Manhattan Bank, New York, New York

Chicago Art Institute Museum, Chicago, Illinois

Cincinnati Museum of Art, Cincinnati, Ohio

Cleveland Museum of Art, Cleveland, Ohio

Collezione LaGaia, Busca, Italy

Columbus Museum of Art, Columbus, Ohio

Columbia Museum of Art, Columbia, South Carolina

Container Corporation, Chicago, Illinois

COPIA, the American Center for Wine, Food, and the Arts, Napa, California

Corcoran Gallery of Art, Washington, D.C.

Cornell Museum, Rollins College, Winter Park, Florida

Dallas Museum of Fine Art,  Dallas,  Texas

The Dayton Art Institute Museum, Dayton, Ohio

Denver Museum of Art, Denver, Colorado

Eastman House International Museum of Photography, Rochester, New York

The Faulconer Gallery, Grinnell College, Grinnell, Iowa

Fidelity Corporation, New York, New York

First Bank of Minneapolis, Minneapolis, Minnesota

Fondation Nationale d'Art Contemporain (FNAC), Paris, France

Fondazione la Gaia, Busca, Italy

Fotografiska, Stockholm, Sweden

Groninger Museum, Groningen, The Netherlands

Hallmark Photographic Collection, Kansas City, Missouri

Harry Lewis Winston of the Malbin Collections, New York, New York

High Museum of Fine Arts, Atlanta, Georgia

Hunter Museum of American Art, Chattanooga, Tenn.

Jane Voorhees Zimmerli Museum of Art, Rutgers University, New Brunswick, N.J.

J. Paul Getty Museum, Malibu, California

Jersey City Museum of Art, Jersey City, New Jersey.

Joslyn Art Museum, Omaha, Nebraska

The Liberty Museum, Philadelphia, Penn.

Los Angeles County Museum of Art, Los Angeles, California

Lowe Museum of Art, Coral Gables, Florida

Maison Europeene de la Photographie, Paris, France

McNay Art Museum, San Antonio, Texas

Mead Art Museum, Amherst College, Amherst, Massachusetts

Metropolitan Museum of Art, New York, New York

Metz Fondation Pour la Photographie, Metz, France

Mjellby Museum, Halmstad, Sweden

MOCA Korea, Museum of Contemporary Art, Seoul, Korea

Montclair Art Museum, Montclair, N.J.

Museo Pino Pascali, Polignano a Mare, Italy

Museum of Contemporary Arts and Design, New York, New York

Museum of Contemporary Art, Montreal, Canada

Museum of Fine Arts, Houston, Texas

New Orleans Museum of Art, New Orleans, Louisiana

Palm Springs Desert Museum, Palm Springs, California

Princeton University Museum of Art, Princeton, New Jersey

Salomon, Claudine and Jean-Marc, Foundation for Contemporary Art, Alex, France

Smith College Museum of Art, Northampton, Massachusetts

Sonje Museum of Contemporary Art, Seoul, Korea

South East Banking Corporation, Miami, Florida

Southwestern Bell Corporation, Houston, Texas

St. Louis Art Museum, St. Louis, Missouri

Tampa Museum of Art, Tampa, Florida

University of Kentucky Museum of Art, Lexington, Kentucky

University of Massachusetts Museum of Art, Univ. of Mass., Amherst, Massachusetts

University of Richmond Museums, Richmond, Virginia

University of Texas at Austin, Harry Ransom Research Center, Austin, Texas

University of Kentucky Museum of Art

Wadsworth Atheneum, Hartford, Connecticut

Wake Forest University, Winston-Salem, North Carolina

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York, New York

Robert and Elaine Stein Galleries of Wright State University, Dayton, Ohio

Yale University Gallery, New Haven, Conn.